I can help with the hand selected tube compliment. Every Decware amp has this, where the tubes are selected during QC while the amplifier is on the scope and distortion analyzer. In this particular amp the compliment will be 6N6P driver tubes and a 12AU7 input tube. The VR tubes I thought would be the 75C1, but frankly during the off days when the power sucks and radiation from cell towers and the sun itself is too much causing things to sound sharper, the OA2 is like jumping ahead in time to midnight when everything gains insane liquidity.
I will probably ship the amp with three OA2 now that I think about it, so that way it can't sound bad even handicapped, and no stress in getting the right tube in the right location. All three are the same, just plug them in.

I am listening to the trio of OA2 tonight using my reference tape machine as the source and it's really been a holy shit moment. The combination of Sarah, the new Fast 15 driver in the large baffles with network, and the tape machine as the source has more than melted my face off so many times I just can't believe how insanely good this sounds.
For the first time I am getting the holy grail SE84UFO25 sound through my tape machine! You see, 2.3 watts is not enough for tape. The dynamic range of tape compared to LP or stream is 10dB more. As great as it sounded you could always count on it clipping just when things started getting real... Not any more. The headroom of this amp even at four watts is enough to handle the dynamics of tape. It is truly the best I've ever heard tape sound in my room. ZF15L, SEWE300B, TAPEMACHINE.
I will make videos of this no worries. Also I will be back on my tape kick until well after the holidays. Now that it sounds this good I will have to listen to dozens of tapes again. Speaking of which, I have a master copy from Columbia Studios in N.Y. of Dave Brubeck's Time Out calling me...
Steve