Hi Randy...
now you got me thinking I need some of these lii drivers! Does anybody know what the magnet material is? And how much power they can absorb before going up in smoke? Just what I need - another set of mounting plates for the Trio's, and I'll have no less than 5 different variations/flavors of mid/hi drivers to go with the Trio's four Augie's. Does this ever end? Us old fogies already know the answer to that! I have some younger audio pals who still think there is an "end all" system!
I use Baltic birch... and am more than happy. I also use a co-layer-damped approach with all my OB's. This, after experiencing the baffle transmitting at least as much vibrational energy into the room as the drivers! And not "good energy" either, but a buzzing akin to a swarm of Africanized bees. And the side rails of my Trio baffles are sand filled! After this experience, I added mass to the baffles, added rear braces and started decoupling the drivers and the mounting plates from the main baffle. To my ears, this cured the problem completely and the overall sound became much more natural and organic.
Also... another "conventional wisdom" practice I tossed aside when I started experimenting with OB's - toss any kind of floor spike out. I went to great lengths(and expense) to add 1/4" plate steel outriggers thru-bolted to the 2" thick, almost 2 ft. square basses, with 2lb brass footers. These coupled through thin carpet to a concrete floor in my room. This seemed to "amplify" energy in the baffle instead of draining/dispersing it. I removed the steel outriggers and brass footers. I now place a sheet of some of the same material I use between drivers, mounting plates and the baffles for decoupling/dampening, under the bass of the baffle. (closed cell neoprene foam -
this works great under components too)
I think Randy, has perhaps, really landed on the "magic formula" with his K-I-S-S approach to the Betsy Baffles.
When I first installed the 12" Audio Nirvana cast frame Alnico's in a recommended 5.6 cu.ft. reflex box... I had an "Oh No" moment - there was too much bass. And I mean
way too much. However, and thankfully, the drivers pretty quickly loosened up and produced mids and highs.
The 15" Cast frame ceramic Audio Nirvana drivers are more sensitive/efficient than the Alnico's. The Alnico's are "smoother". I have A/B'd the ceramic and Alnico's side-by-side in my custom Trio baffles. You have to adjust for volume differences, but even getting the volume matched within a fraction of a db, the sonic differences between the two
are not subtle.
I have also A/B'd them in reflex boxes. The ceramic's are too hot for my taste in a box - probably too hot for most people. The Alnico's need no bass augmentation in a reflex box... with a current source output "type" amp like my Torii III or a Papa Pass FirstWatt J2 they sound superb.
Placing the Alnico's in a larger OB makes them sound "laid back" and soft compared to the ceramics.
The 15" ceramics in an OB are more resolute, more micro and macro dynamic than the Alnico's and way more so than my current generation Martin Logan stats - no joke! An audio bud of mine sums it up best and characterizes the crossover-less, full-range, OB's as "snappier" than the stats. It causes a bit of cognitive dissonance the first time you hear the two side-by-side. Your brain just doesn't want to believe what your ears are telling it.
My point... I can completely relate to what Steve is talking about "slam", hit, etc. from these lii Audio drivers in that massive baffle. Every time I demo my Trio OB's with the 15" crossover-less full-rangers, and 25ish watts of Decware Torii tube power - I always get a "you're "F'ing" with me look...