Agreed, that would sound equally good and may even look cooler!
Believe it or not the square outer shape actually has no correlation with the dispersion. The dispersion is determined by the inner shape, a circle. The outer shape being square vs. round is adding surface area, aka impedance, that is needed to raise the pressure to a functional level. This thing has zero dips as you spin it on the platform and record it. Flat high end response as it spins... the squares are virtually invisible.
Of course, I had to try it, so I put a third layer (lens) on the pair and it is a linear improvement, 30% again. This is the ultimate. Now that I have heard this, I have to have it. It's incredible. In fact, I may even try to scale this up to a full size ERRX if I can find or make the right driver. It would be interesting to prove my original convictions about radial frequencies above 5 or 6K being more problematic than beneficial wrong only to find it was perhaps the drivers at the time or any number of other variables.
As a proof of concept, hearing the full presence of the highs in a perfect radial format with three of these lenses is eye opening.
Get this... it now sounds like it is in this room vs. the listening room, but images like it is in the other room. I can't tell where it is frankly, it's so scaled out. It's really big, and from something so small....
I can tell you right now if I could scale this up to a full sized ERRX, this would wreck a lot of audiophiles. It's so ironic, Tiny Radials scaled down from ERRX but without the tweeter because it's a 1.5 inch driver... now how to scale back up!
I already know this design is superior to the egg, which did in fact image like an Alien pair of speakers, and this is better. Gee, if I could even get it up to a 6 inch scale with the same performance it would be insane.
Anyway, adding two presence layers to the Tiny Radial and a sub is just head shaking for it's size.

I know to a fair number of readers this probably sounds a little overly enthusiastic but trust me it's not... it's working exactly as well as if you have someone hold the Tiny Radial horizontal and point the driver directly at you, except it's not directional like that is. The most fascinating part is that it is now that same loudness but across 360 degrees instead of 30. It's like each layer adds efficiency. Getting really interesting.
When you hold you hand at the right angle above a Tiny Radial and hear the top end presence increase but realize anything less than the size of your hand is not going to work... three of these lenses is duplicating that effect but it follows you around the room because it's 10 times the dispersion.
ALSO, in the picture is a Zen Amp hanging on the wall. Simply use two screws spaced about 5 inches apart, with large pan heads. Remove the bottom cover on the amp and the lip will hang on the screws very securely.