Duncan Taylor
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Wanted to add my observations after a couple of days with my new Tiny Radials.
I work as a testing technician at The Music Room, and test and listen to lots of hifi gear every week. I received the speakers on Thursday and immediately began burning them in with bass-heavy music. I was also burning in a new set of speaker cables I made for them after reading Steve's experiences with different cabling and the TRs. I had made a set of 40mm copper foil ribbon cables and decided not to group them together but let the positive and negative leads fall where they may.
The first night was not too impressive! Both elements needed to break in properly, the speakers perhaps a bit more than the cables.
By the next day, they were starting to open up, and I listened to the TRs on a variety of amplifiers, including a Willsenton R8 tube amp, an Inspire tube amp by Dennis Hadd, a Pass Labs amplifier, a pair of PS Audio class D (A input stage) amps, etc.
What I noticed was that the speakers really like tubes and linear amplifiers, and aren't the biggest fans of class D, although the 3D imaging was still interesting if not impressive with those class D amps. I noticed that on my desk, I liked the frequency balance of the TRs best when they were just forward of my elbows on the desk, i.e. quite close to my ears. The soundstage was very impressive, floating high above the speakers and quite spherical in shape.
Where things really got interesting was when I turned on my main desktop speakers as well as the TRs, driven from the same class D amplifier, and spaced the TRs very wide, so they would not confuse the direct sound coming from the main speakers, but add to the dimensionality of the soundstage. My main speakers are very good, and set up well to cast a great center image and decently wide stage, but with the TRs in place it was.... other worldly. The largest soundstage I've ever heard in my life, with huge separation between images, cement-lock of images in space and still a very lifelike and focused center image.
To anyone adding these to your desk who may also have other speakers in the mix, I urge you to give this a try!
Later in the evening I went over to my engineer friend Darren's house (he's a hifi product designer), and we listened for a couple hours to his analog system. He's got a very nice VPI table, and he put his 4th or 5th best cartridge on it (the Lyras live on his Kuzma table in the other room) and it went balanced into an Audio Research PH5, balanced into a PS Audio BHK preamp and then to a PS Audio BHK amplifier. Giant Dunlavy SCIVa speakers finish the system. Suffice it to say, this system can vividly reproduce vinyl, even though the cart (and the arm) left some to be desired in his opinion (I'm a digital guy - my mouth was hanging open no matter what was on the table!)
At the end of the listening session I pulled out my Mini Torii and the Tiny Radials and set them on the floor, and we got down on the carpet and fed the amp a signal from the upcoming PS Audio TSS DAC (his is a two chassis prototype - finished product will be in the ~$25K range) via the BHK preamp with NOS tubes.
Despite getting our asses kicked for hours on his main system featuring 6.5-foot tall floorstanders, he and I were spellbound and dumbfounded by what the Mini Torii was able to do with the TRs. We had to be careful with the input volume because that Mini Torii was struggling a little to power the TRs well, but we just sat there for another hour or two listening to track after track and "bathing" in the 3D sound.
We tried one other amplifier with them - another Class D thing with a Bluetooth connection - and it was very unpleasant compared to the Mini Torii fed by that amazing source gear. The high frequency information was largely gone, the sound collapsed down to the individual speakers, and we both groaned and moved the tube amp back into position after maybe a song and a half? Maybe less.
Ultimately, this is what I came away with. When powered by a very linear, well designed tube amplifier, using excellent cables, these Tiny Radials are impressive enough to be almost a distraction on the workplace desktop. They're just about too good for words, doing things you can't hear anywhere else but in the close up zone of their omni radiation. At a distance, and from a lower height, I could see they would benefit from added high frequency radiation via extra lenses. But bottom line, they don't respond well to class D amplification, or cheap amplification in general.
Unless. Unless you're adding them as part of basically a 4.1 channel stereo system where they add soundstage width and texture detail to a pair of speakers that fares better on lesser amplification, like my desktop monitors. I'm still scratching my head about why they're so much more revealing of amplification than my desk speakers, which admittedly have external crossovers stuffed with excellent, expensive parts. But the valley of quality between a fine tube amp and a cheap class D is much smaller on my desktop monitors than the giant chasm that exists for the Tiny Radials between amplifiers.
My friend Darren was so enthralled by what he was hearing with the Mini Torii and the TRs with my ribbon cables that I had to leave them at his house this weekend so he could geek out some more.
Steve, you've made yet another head scratchingly other worldly product, and my hat's off to you for keeping this audio hobby interesting and exploring new ideas. They also look superb, and match the walnut of my Mini Torii well. Thank you!!
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