My buddy and I stopped by one of our local audio stores yesterday—Hanson Audio. The main goal was to listen to the Focal Sopra No. 2 floorstanding speakers with a tube amp, and that is what we did.

The amp was an Octave VC-70, which is an integrated tube amp that delivers 70 watts into 4 ohms and slightly less into 8 ohms. The speakers are ~91 dB efficient and the amp never ran out of juice, so it seemed like it was a good pairing. The speakers are said to have a fairly flat impedance curve, but I haven’t been able to confirm with a graph.
Front end was an Auralic Vega DAC being fed by an Aurender N100 server. The control app for the Aurender is nice. In my opinion it’s more refined than the Bubble UPnP app I am using. We were streaming TIDAL through the Aurender because their NAS was disconnected.
The Sopras were extremely detailed, yet very musical. I haven’t heard speakers this detailed in a while. The soundstage was wide, but not that deep (my buddy described it as mostly 2D) and was vertically higher than I am used to (e.g. looking up at vocalists). Overall I would describe the presentation as forward.
The speakers are surprisingly dynamic. I almost jumped out of the chair during the opening hits on Castillian Drums from Dave Brubeck At Carnegie Hall. The drum solo in this track was dynamic, engaging and the drum hits sounded natural, tight and snappy. That said, I did cringe slightly on a few of the cymbal hits.
There were a few other times I thought the tweeter was a bit too hot, but I didn’t get any listening fatigue. Bass was mostly good, but the room was a little too small for the speakers so there was some boom on occasion.
Overall, this setup provided a fairly different presentation vs. what I am used to.

Next up was a trek back to my buddies place to listen to the Torii mk4 on his Zu Omen Definition speakers. We listened to a variety of music including Stevie Ray Vaughn, Dire Straights, Michael Jackson, Melody Gardot, Cassandra Wilson.
The sound was detailed and very musical. Not as detailed as what we heard at the audio shop, but there was plenty of detail to hear deep into the music. In addition, the soundstage was more 3-Dimensional vs. what we had just heard at the audio shop.
I did notice some hotness/beaming with the Eminence tweeter on the Zu’s. For instance, some of the percussion on Don’t Stop ‘Till You Get Enough from Michael Jackson’s Off the Wall was slightly bothersome. The treble cut helped take the edge off, but I noticed some air disappear from the music.
The overall presentation of the Torii/Zu combo was less forward than the system at the audio shop. The speakers disappear well and the scale is nice and big (MTM with two 10 inch drivers makes for a fairly large speaker). Interestingly the Zu’s didn’t seem to have quite the dynamic jump of the Focal speakers. Maybe a pre-amp would solve for this.
The other thing that’s nice about the Torii/Zu combo is that my buddy never really gets above 12 o’clock on the volume control (I think he is more typically between 9-11 o’clock), which means there is good headroom for peaks (the Omen Def’s are 101 dB).
I had the Omen Def’s at my place for a couple weeks with the ZMA and the same magic wasn’t there. We plan to have a couple more listening sessions to investigate further, but as of right now the Torii is the better amp for these speakers.
Overall, the Torii mk4/Zu combo is excellent.
In the past 2 weeks I have heard 3 different systems (not including my own). All sounded very different and each had attributes that were great. It has been fun exploring.
Have fun and enjoy the music!