There's a brief squeal when you first turn on the LF, utterly absent from the Taboo. After fiddling with everything, you realize it was just your wallet.

Seriously, I think I posted here or on Head-Fi some of my initial listening impressions, which are probably almost 2 years old now. I haven't done any side-by-side, because the LF stays at the office with the LCD-2, and the Taboo is at home with my modified Fostex [known as, I kid you not,
Thunderpants; mine are made of Kingwood], and a pair of
headphile Terminator v4. I enjoy all three headphones on both amps, but have kept the LCD-2s at the office with the LF, because they are ready to go on fairly short notice and generate less heat. At home, though, the Thunderpants are actually more comfortable to wear for longer periods, and I have the Taboo set up to be fed by my Ultra, so I can ride the gain. That combo right there is why the Taboo is at home, and the LF at the office. The longer listening time is why I opted for the Thunderpants and Terminators at home.
Without the benefit of a preamp into the Taboo, here is my recollection synopsis while playing LCD-2s:
1. LF faster, with very good cymbals, exceptional transients, very crisp decay; can almost sound zingy compared to Taboo's softer edges, but likely more accurate;
2. Excellent bass control on the LF, definitely a strong suit compared to Taboo which doesn't seem as definitive and, on the Terminators, can sound a bit tubby.
3. Midrange on Taboo fuller without being in your face. Female vocals fantastic, esp. someone like Fiona Apple. Nina Simone, oh man.
4. Detail favors the LF. Listen to something like a hi-res track, or even better, the SACD, from the Allman Brothers at Fillmore. Recording really not very good, and as someone who saw them live before Duane died, I am always trying to hear the extra layers of dual percussionists, and Duane and Dickie's guitars. The LF seems to let me peek into those obscured layers a bit more.
Now, when you pair the Taboo with a preamp, everything changes. The combo of the Ultra/Taboo is pretty effing extraordinary, though on the Terminators, that "tube liquidity" can become "lugubriousness" and can almost be overwhelming, and in conjunction with some of the Terminator's known characteristics, pretty dark. Dire Straits'
Brothers in Arms is other-worldly. What I have yet to do with my Ultra is experiment on Taboo-specific tube pairings on the Ultra outputs that feed the Taboo. I think that could be nailed to be the headphone combo of all time, and even better, easily changeable depending on your choice of headphones.
It will be interesting to see whether the new input stage will simply make a preamp unnecessary or actually make it counterproductive. Right now, the synergy between the current Taboo and the Ultra is very impressive. It is overall, the most seductive combo I have ever heard. Maybe not the most accurate, but then, my most accurate wife was also not my most seductive.
I am jazzed about the prospect of a true headphone-oriented Taboo with the ability to play for two listeners at the same time, along with the planar-oriented updates Steve has described. This will be killer. And I think the guys at Head-Fi will go ape$hit.
Steve, seriously, put me on the list; i don't want to be in line once the word gets out over there.