Nice and cool this morning and no rain overnight! I had a busy day yesterday and slept like a log. Had a nice walk in the dark with Tobi and a freshly-batteried flashlight.

Staring off "Outward Bound" with Eric Dolphy Quintet on the Prestige Remasters by Rudy Van Gelder cd.



Now on to something quite different, that sounds so much more impactful than the last time I listened to it, due to system improvements.

Barney Wilen & Dièse 440 "Live In Paris 8 Janvier 1983" Marge cd

Recorded on January 8, 1983, at the Théâtre du Forum des Halles in Paris and features Wilen on tenor saxophone collaborating with electronic musicians Michel Bertier, Guillaume Loizillon, and Claude Micheli.

Miles Davis  April 11, 1970
Fillmore West Auditorium, San Francisco CA

This is the "Friday Night" performance that exists in edited form on "Miles Davis at Fillmore" and then was part of the Bootleg Series, Volume 3 in less edited form. BUT I am listening to a bootleg version that I acquired about 15 years ago. Love this music!

An almost cold morning. While in the back yard Tobi luckily did not notice four deer in the trees just beyond our cleared back yard and he obediently came inside for breakfast and I avoided another confrontation . . . .

Starting off with a Savoy/Denon cd, a sort of Dixie/Swing session that I have not heard in a long time.

Emmet Berry and Joe Wilder, Buster Bailey and Vic Dickenson, Bucky Pizzarelli et al as 7th Avenue Stompers, "Fidgety Feet"

Art Farmer Quintet "The Time And The Place (The Lost Concert)" Mosaic cd

Bass – Walter Booker
Drums – Mickey Roker
Flugelhorn – Art Farmer
Piano – Albert Dailey
Tenor Saxophone – Jimmy Heath

From Mosaic:

"In 1967, Columbia issued The Time And The Place by the Art Farmer quintet, billing it as a concert from the Museum Of Modern Art. In fact, it was a studio recording with fake applause dubbed in. The real concert sat in the vaults until three tunes came out on a 1982 double LP reissue. Even then, no one seemed to discover the ruse. When Mosaic began researching Farmer's Columbia tapes, it became obvious that those three tracks were live and the original album was manipulated.
    The actual concert took place on August 18, 1966 was recorded and, except for three tunes, has sat in the vaults ever since. Mosaic has uncovered the original three-track masters of the unedited performance, which contains seven superb extended performances and remixed them in 24-bit."