Sounds good GroovySauce! No doubt variables with Add-Power things, but a number of years ago I tried, I believe a Symphony Pro, and I think I liked the sound, but not the feeling, so my overall sense of it is not good in memory. I can't get the ADD-powr website to work today.... "not safe" warnings and if I go past that, I get a GoDaddy page offering the domain. So I can't read up and verify differences, but as I recall, the Symphony puts the algorithm of low frequencies and harmonics into the room and system via an antenna system, and I thought the Sorcer works mainly through the house wires?

And really just guessing they are working on the same premise frequency wise... but maybe not....

I can say I felt agitated by the Symphony though, and could not adapt to it, so sent the unit back. Historically I feel better without wifi, and with various filters on my AC to clean up noise that makes its way into the environment via house wires. And when I tried the Symphony, I was pretty ill, so more vulnerable than now, at least in obvious ways. But it messed me up... feeling some aspects of its output frequencies as foreign, and therefore agitating. Alternately, with Schumann Resonance things I have, also using an antenna system for delivery, I recall feeling better with them, and they have stayed in for a long time. I use continuously adjustable Kemp Audio Schumann resonators. I first got a single, and later another to increase the effect, and to make it stereo. They are still nicely useful in my room. Having a stereo pair, I can tune between density/focus and expansiveness/spaciousness/ harmonics, while also adjusting the soundstage left to right some with them...

I gather from some of your past posts that you too are sensitive to electronic noise pollution...  so it interests me that you don't appear to be feeling any negative effects from the Sorcer x4. Maybe it is different in frequencies, or its delivery method changes what I was feeling from the antennae system???.... not sure... but back then I talked with Bill from Add Power about it, and not sure I can trust the memory, but I think I was finally suspecting a 50 hz or so fundamental as a culprit for me....

Just wanted to see what you thought about these somewhat vague memories relative to what you know about this tech, and your experience with it....

Hey GroovySauce. The site works fine here now too, so whatever was up yesterday is sorted.

And I can imagine what you are hearing with the Sorcer in your system... I ran across a Show video where Bill demonstrated the x4 AB'ing off and on in a system next to his booth... even on Utube, with headphones, I heard quite notable improvements for my preferences... richer and more complex harmonics in space making it all sound more real and alive to me.

I have used Blushield devices and similar a long time, and am aware of the detox that can happen with them. Maybe because I stay relatively clean with diet, water, meditation and exercise, I don't recall these devices over time bothering me except subtly at first. And later, not a problem for the most part with adding similar. But I did not rule this out with the Symphony. I too recall Bill saying some people find it improves how they feel, appearing like I may have been more of a wildcard.

But knowing systemic cleanup that can release stored toxins can happen with powering up the presence of repetitive low frequency vibrations, I think I waited it out for a week or more, then tried it off and on for a while to verify this was happening before returning it. And the subtle agitation persisted, the Symphony being different from similar devices for me. Also I did want it to work, liking what I was hearing as I recall.

It was not a ±50 Hz hum I could hear. And it has been so long ago, I don't feel confident with remembering the specific frequencies. But I think I recall when talking with Bill, trying to figure it out, somewhere in 50s or 60s the algorithm used a frequency or two, and I was just guessing it was this part of the range that may have been an issue for me. But it was felt, not heard. And as I suggested, I was pretty beat up health wise then, so really sensitive to everything really.

And come to think of it, I don't think I had Blushield when I was trying the Symphony, then using an EarthCalm system... My wife and I found the Blushield more effective here...I wonder if it would have mitigated this effect for me??? It is sometimes a drag to be so sensitive!

Groovy…. I have experience with EMF shielding as well.  I have had my Earth Calm whole home device for like 10 years now.  Me and Will have had conversations in the past on this topic, and I have to say, I did experience a  mild detox effect when I plugged in my 3 separate stages.  Since then I bought their USB device that plugs in my WiFi router that is supposed to cancel out the harmful affects.  Since I rebuilt my house..I have been eyeing up the Blueshield product line to expand my coverage and replace the Earth Calm unit.

The Sorcerer sounds like an appealing product.  Going to watch the videos and delve further tomorrow.  There was this guy who handmade these resonators that I found very interesting made by Franck Tchang. Very cool product…. You can read more about it hear.

http://www.6moons.com/audioreviews/francktchang/resonators_6.html

https://www.technologydistribution.be/reviews/horning/Audio%20Exotics%20in%20Hon...

Here is his new company and website..

https://asi-resonators.asi-resonators.com/resonators.html

I came very close to trying these out like 12 years ago, but at the time they weren’t cheap, and I was just starting down the Decware path and the beginning of my audio journey.


Dom

I will be interested to see how you like the new EarthCalm with Blushield. Our earlier EarthCalm version, probably similar to Dom's with the same setup and concepts, did not feel good to us with Blushield. Approaching the issues differently, and the EarthCalm working through the house wiring is compelling to me, conceptually helping audio too, and I think I may even have tested that, feeling like it did help by cleaning up the house wiring in general. So I wanted them to work together.

We tried each individually for a week or so, then both together, and I don't think that lasted but several days... Subtle in ways, but it was a little agitating feeling with both... Making it fuzzier, we also had a bunch of Stetzerizers that we kept in, units scattered around the house that filter AC noise. I think those are just filters, but still not a clear test except finding that adding back in the Earth Calm was not ideal feeling here. I continue to use our Blushield Cube, and a pocket model. I also rigged a 12 volt supply for the Cube for trips.

But that was a while ago, with older EarthCalm tech, and it looks like EarthCalm is still using the same ideas, but have advanced the tech, so I look forward to hearing your impressions!!! Good prices now too!

StaticShield keeps coming to mind for me also, presumably good for audio as well as less electronic pollution... but who knows!

I forgot to mention that I have GreenWave filters through out my home. I'm guessing they work the same way the Stetzerizer ones do. Using the GreenWave meter I have all the outlets down to low double digits all are under 20 mV.

The UberBUSS and DigiBUSS also have a part of them that does the same thing as the GreenWave filters in a much stronger way.

I bought the BluShield Auto for both my cars.

BluShield and EarthCalm take different approaches and with the 90 day guarantee I'm comfortable giving it a try. I'm also in a more rural area so that is a consideration too.

using:

https://www.antennasearch.com/

I have 14 towers and 24 antennas within a 3.0 mile radius

my parents who live in the suburbs of Philly:

169 towers and 213 antennas within a 3.0 mile radius

These are not the only considerations. It does make a difference though. 10 times more is huge when one can be detrimental.

Proximity to high tension wires is also a consideration. A mile away from them and the effects are measurable.


Back to the Sorcer, I really do think my cream in coffee analogy is a good one. All the cream in the world cannot save a bad cup of coffee. The Sorcer cannot save a bad stereo, it can add some nice flavor.

My results:  undefined towers and undefined antennas within a 3.0 mile radius of null.

I'll see your count and raise it in my neighborhood to 61 towers and 725 antennas within a 3.0-mile radius.

65 towers and 236 antennas within a 3.0 mile radius here.....

I'm really lucky to be living at the edge of a state wildlife preserve forest and in a sparsely housed neighborhood. Just five miles away in town there are 34 towers and 93 antennas.

Hey Dom, like GroovySauce pointed to, Blushield makes a car unit. I think I recall they are pretty powerful, and could be a good way to test the company method.

I am surprised to see such a recent post on the Sorcer X4 here. I recently picked up a Sorcer X4+ after demoing an X4 from my local shop. What follows is a post I made on the Steve Hoffman Forums on December 1, 2023 (just a few short weeks ago) regarding my initial impressions of the device. I think the Sorcer's effect is somewhat difficult to explain, so having another perspective on the thing may be helpful to the curious in the future.

"Has anyone tried one of these, or any of the ADD-POWR stuff?

A few days ago my local shop, Gig Harbor Audio, sent out an email newsletter type thing that included a short blurb about the ADD-POWR Sorcer X4, how you just plug it into the wall and somehow it makes everything sound better. It had a clear plexiglass top so you can see all the transformers and flashing lights. It kind of looks like the flux capacitor from "Back To The Future."

I was intrigued, at least. I get along pretty well with Erik at GHA, so I shot him an email this morning to see if I could give the Sorcer a spin. No problem, he said, take it for a week or so. I picked up the store demo around 10:00 A.M. Jake at the shop told me to plug it into the same wall socket as my system power supply (if possible, I guess it works pretty well just plugged into the PS, too) and to let it do its thing for about an hour before I started turning it off and on to compare.

So I did that. I had been listening to Dua Lipa's "Future Nostalgia" on LP before I ran out to GHA, so I started with that on the table. I turned the Sorcer on, then off, then on, trying to hear the magic. Nada. Magic denied!

Next up was the debut Wet Leg S/T LP, an album I've had surprising moments with when dialing in other components. Nope. NO MAGIC.

What both of those albums have in common in what I would call "busy" mixes. Not a lot of space in most of the song and production style. So I put on Dominque Fils-Aime, "Nameless," which starts with her amazing rendition of "Strange Fruit." Suddenly, I could hear something happening, mostly in the backing vocals. With the Sorcer "on," they were more present in the mix, more full and holographic in comparison to without the Sorcer. This is what I was looking for. It was starting to come together.

Next was Julee Cruise, "Floating into the Night" LP, which of course has "Falling" as made famous on Twin Peaks back in the day. "Falling" has huge, wide, multi-layered backing vocals that already sound amazing on my system, so I'm very, very happy to report that the Sorcer just took all of that to a new level, noticeably wider and deeper in soundstage and dynamic range than without the device. Even better, the difference was clearly apparent on the iconic, reverb-drenched, palm-muted guitar notes in the intro to the song. The notes are fuller, deeper, rounder. Finally, the magic was not confined to vocals! Once I made that observation, the Sorcer effect started making a lot more sense to me. It is a subtle difference that becomes more and more dramatic as you start remapping what you expect the song to do or where you expect the song to go. With the Sorcer, the music does more, and it goes further. Up, down, left, right, forward and back, stretched out on the walls.

Final test album of the day was the Mo-Fi Original Master Recordings pressing of Miles Davis' "Sketches of Spain." I still had the volume up very high from listening to Julee Cruise, so at first, without the Sorcer on, there were prominent brass passages that stuck out as shrill, slightly-unpleasant. Typically, I would just back off the volume a little. But this time, I flipped on the Sorcer and the same horns came into focus and were no longer shrill. I didn't want to turn it down after that. The Sorcer just put everything right into place.

So, obviously, it took a little while for me to figure out what I was listening for. But, now that I hear it, it's very obvious when the Sorcer is on vs. off. What's interesting is that it almost seems like it brings something different to every recording, but I'm chalking that up to only having focused on certain parts of each recording today as I was comparing affected vs. unaffected SQ. It was very active, granular listening, not holistic. As I type this post, I'm listening to the recent VMP pressing of Miles Davis "Tribute to Jack Johnson," an already astonishing pressing that is now somehow even more astonishing. I didn't need this album to sound better, yet here we are, people.

What's so strange about this thing is that it is NOT in your chain. At all. It's just plugged into the wall. It's not doing anything to your chain. And yet, here I am writing this novel because it really does make everything sound better. It's not like flipping a loudness switch or anything like that, but once you hear it you can't unhear it, and it is obvious and replicable after that. Things actually do sound better with the Sorcer in the circuit for some reason. I've read that you can also plug it in next to your breaker panel and it works on the whole house that way. But I didn't feel like putting it in my laundry room, so...

I emailed Erik at GHA again and told him my impression that, in effect, the Sorcer essentially remasters the album in your living room in real time as you are listening to it. He agreed generally, admitting that neither he nor his shop tech understand how it works yet. But they both have one in their systems at home. Because, somehow, it does work. Beyond the mastering analogy above, I might also compare the Sorcer effect to something like a really, really good cartridge upgrade.

The people at ADD-POWR do seem to know how their stuff works, and there's some explanation of it all on their website, about feeding low frequencies into your AC to increase the dynamics of the power peaks, eliminating EMF signals in the air, etc. I understand the explanation, intellectually, like if someone explained how the transporter beams are supposed to work on Star Trek, but it doesn't seem like something that would really work in real life and the end result is baffling. It all seems very complicated yet very simple at the same time. I mean, seriously, you just plug it into the wall. That's it. Too easy!

The Sorcer X4 is about $4000 USD. I have a nice system, and a decent job, but $4K is a sizable chunk of change for my typical gear budget. I can afford it, but I really shouldn't buy it, you know? But, now that I've heard it, I'm not going to want to go without it. Which is how they get you, but you know, I did ask to try it out...

Anyway, I was surprised to not see much discussion on ADD-POWR stuff in general on this site. There are a few vocal disciples over on Audiogon. Has anyone here given any of this stuff a chance? Do I sound like a crazy person? I guess I need someone to tell me I'm not crazy!"

I'll add here that the same week I was demoing the X4 I had a music-lover friend come over for a blind listening test. He identified the Sorcer being powered on as "better" every time where the unit was "on" 5 out of 8 plays. This is without him ever hearing the unit before and having no idea what it should sound like or what he should listen for. It's definitely not a placebo device.

Thanks for re-posting that Bloodlemons.

I tried the Sorcer with two main cables. Decware DHC-1 and BAV 10 AWG. DHC-1 I found the emphasis on the upper mid and highs. BAV I found more midrange through the bass focused.

I had a cable that was cryo'd and it imparted the cryo signature too. I'm not fond of the cryo'd signature.

I'm scared to try a Snake River Audio cable on it. I will try when my new order from SRA arrives though. I can see if the Teddy Pardo power supply for the EtherRegen or the Sorcer is better with the SRA cable.

I wonder what the Sorcer does for TT motors? AFAIK it would be impossible to isolate just the TT motor to hear if there is any change. I guess I could try the speed control app on my phone with and without the Sorcer and see if there is a difference.

I don't think I've tried a generic PC on the Sorcer.

I did buy mine on a Black Friday sale. Between my own investigation and seeing a post on Audiogon yesterday. I'm thinking that they are constantly having significant sales for different products. Right now a new Sorcer Apprentice is 55% off on Audiogon from Coherence Systems. I'm turned off by companies that have continuous sales.

It's amazing how many towers are near some of us!

With the PC I've used one wasn't a clear winner. I also hesitate to say something is "the best" as different people enjoy different things. I'm sure if I put one of my SRA PC on the Sorcer I'm going to be done and want nothing except that on the Sorcer. I have been 100% wrong with this stuff too so we will have to wait and see.

Yes the SRA cables are spendy! They are also amazing. If you look at the signal path a vast majority of it is in the cabling. Makes sense that having excellent cables would bring a large payoff with them.

I would go for a pair of SRA speaker cables and interconnects before buying a Sorcer. I've been slowly adding SRA cables to my system for 3+ years now. I'm going to be a full loom by the end of the month!

LOL!

I would also go for a SDFB over the Sorcer too. The SDFB is an crazy good upgrade for components.

Thanks for the update on the EarthCalm. I look forward to more.

I am playing with that Sorcer Apprentice you mentioned from Audiogon. It has some decent outlets and I am exploring those as well, so still in the equipment area. I ran it first without having anything plugged into it for a week of so, trying it on the floor, and about 6' up on the old teak the cabinet my stuff is in.

Bill at Add Powr said I would feel good from it, and he was right. It turns out the Symphony that made me feel off, runs quite a bit higher fundamentals... and the Sorcer he said was more in the 8-10 Hz range. I have explored the Schumann resonance and harmonics quite a bit, 7.83 said to be its baseline though variable, and I really like using it. Also it seems many of these EMF/RF mitigators integrate this range to help us associate more with our native grounding frequencies, and in turn not be "taken away" by all the high frequency stuff in the air that makes us agitated, anxious, dissociated... more prone to reaction and illness. Also 9.6 is known to be balancing/healing, as is around 8, and more in this lower range. So it makes some sense to me that the house feels good with the Sorcer on.

It is a bit of a haze, because I am playing with SDFBs too, and doing some modifications. But earlier on with the Sorcer, I found different placements off center and centered, as well as front to back changed the sound, somewhere in there, roughly centered sounding "best."  I was not being analytical about what exactly happened, but after about a week, I did some ABs, and roughly speaking I preferred the density, complexity, and relationships of fundamentals and harmonics better with it on. I have not AB'd it since, waiting for it to burn in more.

The two general areas I have been easily able to fit it in near equipment, both had good sound, but a little different. They recommend in the instructions for the Apprentice having it near equipment, but it does what the Sorcer 4 does, "treating" the house wiring as well as its proximity, just less powerfully. So I will try moving mine behind the seat and in other places too. It is actually handy to be able to use it as a direct to wall "strip" that is treated with this algorithm, and pretty nice receptacles.

I have my front end plugged into it now, the Mac Mini, Singxer SU1, and Gustard x20pro.... and a strip with some noisy power supplies. Up high, I can get a lot of my cables into it, and this did clean things up at the time, not sure ultimately if it is "better" there but sounds good. New receptacles and all, I decided to let it run there a while and then test differences.

Also cables change the sound. I was running an old PSAudio AC12 to it, being my only nicer cable not in use that is long enough for the floor position. This is a cable I have never been able to love, but have some respect for... it is generally a little too heavy for my tastes and the frequency ranges showed oddly a little unintegrated with it as I recall with early tests using in front of my PSAudio P5.

With the Sorcer, not articulate tests, but roughly it was pretty different from the stock cable, more dense and full, and more refined. But the more open feel of the stock cable was intersting. So now I have a lighter 12ish gauge UPOCC copper cable in, from just a few tests, my fav so far, open and refined. The AC12, being really big gauge, does that well I think, with less resulting compression/thickening/slowing to the sound than some other mongo thick cables. I heard it as fuller and heavier in the Apprentice... but not bad, just different and I will test that again later too.

So not much real info from serious testing, but having fun exploring and liking it. I just added a second receptacle at the wall, so have four outlets now. One outlet is for the P5 feeding the Uber, the Uber feeding the Brickwall at the moment, my setup before the Sorcer that now will need reevaluating.

The second outlet is to the Sorcer, leaving me two more at the point the Sorcer is plugged in. I have the stuff for a new heavy aluminum case strip with nice inlets and outlets, and I hope to make that up soon for the front end to test, plugging all those into the Sorcer direct, and all more directly into the wall the Sorcer is treating... see if the sound changes much.

Also feet and weight matter here. Mine has only four screws holding the lid, and it rang and rattled with a hit. So I put it on a bamboo board with some OK sounding feet, and a bag with a few pounds of silica sand on top. Sorry vague, but first impressions are good for me.

I don't imagine EarthCalm should still be causing notable detox after this long. You may be experiencing what I did, where somehow the BluShield and Earthcalm together do weird things for your energetic sensibilities.

What amp and DAC? Sounds like you are entering a burnin phase like I am just pulling out of. Burnin is not my fav thing even if the gear is good at it.

I can't really use Herbie's feet much anymore, though Isocups with more transparent mineral balls (can't remember the name, maybe Jasper) are under the Mac Mini which has a disk of I think it is called soundcraft damping on its base, and the isocups were oddly good there last check. And yes to me they were better than stock rubber feet by a ways in general.

I wonder what the Tungsten is supposed to be doing in the A10-U8Rs? I am back to exploring small tumbled gem and crystal chips, as well as ground to various degrees of fineness. Once again, I'm impressed with how they seem to act as semi conductors for noise or something??? Or maybe they mostly just harmonize the energy going through the gear. Whatever they do, each effect the sound differently, and more is more to a point of being too much. It makes me wonder what smaller sized tumbled Quartz crystals would do in a leather bag for feet.

I used pure silica sand for wieght knowing tumbled or ground quartz crystals can improve clarity and dynamics. And having been a potter, I remember hard maple and Bamboo ash being particularly high in silica, which quartz is. And Hard Maple and Bamboo are favored for boards under gear... sooo....

I think I recall Bill telling me my Sorcer Apprentice does taper off somehow above a certain level, maybe important for balancing harmonic effects with audio...vague but maybe to do with what he called the Fourier series... Can't recall, more wanting to hear it than understand it after I got the bug and felt more confident the fundamental frequencies might not make me feel bad. Anyway, it sounds like you can tune that. Do you like one way more than the other? I would guess, being America, down is  off, or the rolled off way.

Yes, worth a try, the Schumann unit, perhaps in your rack area, or centered  somewhere in front of the front diffusors.

Sounds good GS... big changes! Seems like for a long time I have now and then stumbled across Aric Audio, and was interested in what I saw. I look forward to what you hear after burnin. I checked at Echo Audio and they have record weights listed, but not the leather bags of tungsten. I will look around for some leather, and if I can find some that seems suitable, experiment... Thanks.

Will

Echo Audio is sold out of them, unfortunately. I'm weighing the options of either buying a few leather working tools and trying myself or finding a local leather worker to make me some. I found a place that sells tungsten shot at $52 a pound at 11 pounds the price drops to $40.27 a pound shipped. https://www.super18tungstenshot.com/collections/frontpage I'm not sure what size to get. It feels like they are very fine through the leather. The A10-U8 have a semi-clear squishy (silicone like) filled with tungsten in a metal cup and the balls look larger than the balls feel in the leather.

The one leather worker who I want to ask is on vacation for a bit.

I've unplugged and plugged the Sorcer in and out a few times the last few days. The sound of the system has been changing so much it's not worth even trying to parse what it's doing. The Lampizator TRP arrived yesterday and it's sound is changing drastically.

We are getting really off topic and I think it's really interesting. An excerpt from the TRP manual.

Quote:


In another thread I mentioned how I've observed after an amp or other component is transported it needs 3 days to settle even if it has thousands of hours.

will wrote on 02/06/24 at 20:39:58:


That's exactly what they are. I'm in agreement with you, lots of sophisticated language for a leather pouch filled with tungsten balls.

I should have attached a photo.

When the A10-U8Rs are used as footers everything sounds natural and right. From top to bottom removes grain and edginess.

The bass is solid and nuanced with lots of texture. This continues into the midrange, full without being slow or thick.

The highs have a nice shimmer and float in the air. They also take on a touch of density, not slowness or muddiness.  

The 3D soundscape becomes more vivid and holographic.

One thing I've noticed with footers is if placed under one component you get a bit of a change. Add footers under another component get a bit more of the same. Get footers under all the components and it's a wow moment. Another way to say this is, when you put footers under the final component it is the largest increase.

The A10-U8s have the same sound, Not as strong as the A10-U8Rs. My guess is two fold. First the A10-U8Rs have more surface area touching the component. Second, I do buy into the leather being a good absorber of vibrations.

As a mass loading device they work well, I haven't compared to brass which is what I've been mass loading with for a few years. They shine as a footer.

Thank you! I agree the copper top is beautiful and functional. I might have gotten one of the last copper tops for Lampizator GA TRP DAC. I specifically asked about it, they said it's becoming very expensive to have a solid copper top and are discontinuing it. Now they are implementing a faux copper top. I said I would pay a premium for it. They said they only have a few left and they are blemished, I said that was okay. I'm happy I went with it, the blemishes you need to search for.



It's difficult to see the A10-U8R under the DAC. I have three of them under there. I'm also using the Vera-Fi VBH-1 under the butcherblock.

I'm reporting back with my experiences with the Earthcalm Infinity Home System, Sleep Sanctuary and Sanctuary Silver Pendant.

I sent them back for a refund yesterday. I tried following their adaptation protocol a few times and I always felt better when they were unplugged or taken away and placed back in their special bags.

During this time I experimented with the BluShield unplugged and active.

I haven’t had the Earthcalm or the BluShield “active” in my home for almost 10 days now and I feel amazing. I did add something a Schumann resonator. a few years ago I bought a cheap Schumann resonator and I did feel different with it. I didn’t love it though.

I bought the Day and Night from https://nixiekits.eu/product.php?key=schumann This is a high quality unit. On the website and other websites I’ve read that the quality of the signal is important. This makes a lot of sense to me.

The last 4 days with the Mr Nixie tube Schumann Wave Generator has been excellent in my room. I’ve enjoyed it and felt so good I ordered the top of the line Schumann resonator from Space-Tech Labs. https://space-tech-lab.com/Accessories/SR-2000.php

Not only do I feel fantastic the music is mind bending. To be fair the Lampi DAC and my new amp are over 250 hours now and starting to bloom. The way I feel when near the Schumann resonator is more important than how great my system is sounding.

I have not experimented with the VBH under the Sorcer. Nor have I done a head to head with the A10-U8(R)s The VBH work well however, they are a PITA to setup.

Yes, it’s a lot of copper! I’m really glad I pressed for it. It looks great even with the imperfections and from what I’ve read solid copper chassis does have it’s advantages for EMI RF rejection.

I should be getting the STL SR-2000 mid next week.

I just bought Schumann generator and there is a very profound improvement to my systems sound with it in place. I first placed it on top of my music streamer and it made the sound dull. Then I moved it so it's sitting about the same height as the streamer but about 1 foot to the side. In this location my system has taken on a new level of resolution. The soundstage got deeper and moved into the room more. The base is much faster and articulate. I hear much more detail with it in place. I am going to get another one and try it on the other side of the system so I'll have two operating at the same time.

I bought the Nobsound S/R. I only paid $55 for a quick test to see if it works. After placing the first unit, I ended up trying two, one on each side of my system and didn't like the results. The resolve left my system and it became hard to listen to.
So I left the first one in place and moved the second to the back of the room. My room is 33 ft long and I'm sitting in about the center of the room. The clarity, focus and resolve all came back. I ordered linear power supplies for each unit. Going to see if that changes anything.

This thread is fascinating.  First off, thank you to all that have contributed.  I really appreciate the Decware community!

I started looking into the Mr Nixie Day/Night resonator after reading GroovySauce’s last reply.  I also sent links from the website to my wife, who is traveling this week for work.

https://noc.galacticage.org/schumann-resonance/

“Humans are tuned to the resonant vibration of earth.” 

“Human beings vibrate, (yes that means you) and the frequency they emit ranges from 5-10hz. We are in the same range as the 7.83hz of the earth. (Source)

“This is why nature is healing to people. It helps them match the earth frequency of 7.83 which boost the body’s natural ability to heal and regulate itself.”

-Reference (article above)

My wife has been going to a Reiki master on/off for the past couple of years and as I was reading through the information on Schumann resonances I wondered if there was a connection.  She  swears by the healing benefits of Reiki sessions.  

I then came across the following article about the science behind Reiki:

https://serenityattunement.com/index.php/the-science-behind-reiki/

“The frequency occurring most often in the hands of energy therapists was 7 Hz…”

“The brain waves of energy therapists synchronize with the earth’s magnetic field. Also in the extremely low frequency (ELF) range is the Schumann Resonance, the basic frequency of the earth’s electromagnetic spectrum estimated to be 7.83 Hz. Some scientists call it the “tuning fork” of the planet, claiming that it generates natural healing properties when living things are entrained to its rhythm.”

Source (link above)

I think my mind just exploded a little bit…

A bit of background…we moved back to the East Coast fairly recently.  I grew up here so there was a a decent amount of history I had to process initially, but once we settled down, I still feel like there is an energy that feels off to me (my wife feels it too).  We currently live near the train station (e.g. high electrical energy) and my wife’s hypothesis is that is part of the problem.  After reading through this thread, there is likely more at play.    

I’m mostly doing creative work these days, and under most circumstances don’t have a problem connecting with and acting as a conduit with the creative universe.  That said, after reading this thread, I wonder if there is an opportunity to optimize the space further to deepen the connection.  For me, any potential audio benefits would be secondary/tertiary in priority.

I would like to try out at least one Mr Nixie tube Schumann resonance generator as an experiment.  The day/night version seems like the way to go.  

Groovy, did you order directly from their website?  Seems like for international orders you need to contact them directly??  How long did it take to receive the device once you placed the order?