There are two problems with it. One won't be obvious until you compare it to a non corrected -- but treated room. That would be the DSP itself. On many DAC's and computers using the DSP portion of the DAC diminishes sound quality. But if your room is too bad to hear that and many are, then the DSP will make it sound better than not using it.
The first of the two problems is that DSP correction only works for the speakers and the listener being fixed in one position. Moving either, even just a little bit will mess up the correction. If you hot glue your speakers to the floor and put your head in a vise there would be no way to mess it up.
That said, when your speakers are fixed in place and you're strapped into the chair, a microphone driven system that time aligns both speakers and finds the flattest response can really be mind blowing. A system like this should be fully active so that the computer has control over the tweeter and mid and bass drivers separately. A really advanced program could even adjust the crossover in real time based on SPL and the dynamic content of the recording by measuring the drivers response at different SPL, the distortion of that driver, phase angle, etc,. and then with a good algorithm find the most linear and lowest distortion playback possible on a second by second basis. What's really amazing is when you can make this incredible feat sound bad with even
more advanced technology. This advanced technology is realized by using a single driver speaker with one voice coil and no crossover and a single amplifier in a treated room without a computer and minimal restrictions on where you listen in the room.
The reality is that when we listen to music in a room, we actually listen to the room with a touch of direct sound in it, but it's mostly the room. This is why a treated room sounds better because the room itself sounds good and sounds this way with any speaker placed wherever that speaker sounds best. Sound takes on the signature of whatever the last surface it touched was. So it is the speaker cone and the material it is made from until that sound hits a wall and then it exchanges the signature of the speaker cone for the signature of drywall or plaster or wood. When those surfaces are large and perfectly flat the signature rings across the surface of the the whole wall and becomes dominant. To hear what I'm talking about listen to YouTube videos of speakers playing at audio shows or speaker demos by people in their homes.
Sound quality is diminished in rooms that have parallel surfaces. Having furniture and bookcases and hanging tapestries, plants, and anything you can to break up the flat plane of your wall is critical. What is on the left wall should always be different than what is on the right wall directly across from it. So if you have a rug on one wall, a bookcase on the other directly across from it rather than another rug. The surface of the wall is in this way ever changing so many signatures are introduced rather than one dominant one. Also the varied refraction and absorption for these random placements will improve the imaging and focus. The exception to this is when you start using quadratic diffusion on the walls, and even then it is staggered so that the wells within the diffuser are never directly across the room from each other.
The biggest change you can make to any untreated room is wall to wall carpet with a thick pile and a thick pad. Getting specific about the type of pad, one that has large air pockets, will turn your floor into a diaphragmatic absorber that works clear down into the midrange. It is exactly equal in absorption to those 2 inch thick foam tiles you see in amateur studios. How many foam tiles you ask? Two of the four walls completely covered from corner to corner and from floor to ceiling. Word of warning... having even a 12 inch border of hardwood around the room will diminish the effect of the carpet by what sounds like at least 50% or more! So giant rugs are no where near as effective. I know this by putting carpet tiles with an integrated thick pad into a room with speakers playing music the whole time. Starting from a center line in the room and working towards the outside I was able to hear no change even after 90 percent of the carpet was installed due to that reflective right angle border. Then as the border was filled in the entire space started to change radically. Also, for the record, a low pile carpet glued down to a floor does absolutely nothing below 13KHz.
If you want something that anyone can do this week, carpet or not, to make the midrange of your speakers sound better, smoother, with better focus and clarity, place one of these rugs directly in front of your speaker so the short edge of the rug touches the base of the speakers front side. The diagonal pattern and lines are a large part of why this works, but also reduces the pressure wave that stands on the face of your speaker the whole time it is playing.
You can find them on Amazon. You can expect a similar improvement to what you experienced with your first pair of good interconnects.
Steve