Another vote for the little Rega Brio R. Bothe Rega and Naim have the life and magic that Decware has in spades. Most other SS amps are too sterile for my taste. The NAD is not bad, but not the direction I would go with solid stare IMHO.

Thanks for your input Beowulf & ncblue. I think I will try the Rega Brio-R before the NAD M3 or potentially a Pass Labs from Audiogon. I mean for the price and if you liked it better than your Mosfet B&K Beowulf...that is saying something.  Thanks again... .

http://app.audiogon.com/listings/solid-state-pass-labs-xa-30-5-2013-05-10-amplif...

http://app.audiogon.com/listings/solid-state-pass-xa30-5-2013-04-25-amplifiers-5...

They`re about a 15min drive from me, Rega. Way back in the early 80`s I bought the Planar & RB300 arm, then the dedicated wall support.
Used it right up to around 7 yrs ago when I had a change. Reel forward, Decware amps, the SR i/c`s opened the sound up so good that I thought I`d rewire the old Rega arm with silver litz, so I did.
I took the Roksan out of line to service it ( just in time, the spindle pot only had a dribble of oil left ) and decided to try the rewired Rega out.
Well, expecting an allmighty hum I was surprised that the wiring held up and music was playing. A couple of albums in, slight readjustment on the weight and anti skate and its ....ok, good. The old Rega snap is back.
Should sound better than before when the new wiring breaks in.
Terrapin Station sounded huge.

I have fond memories of a Rega Planar III with Van den Hul silver re-wired RB300, SAEC C102 MC cartridge I owned years ago. I mounted it on a concrete block table 'floating' on a bicycle tube, which completely isolated it from foot falls and cleaned up the lower midrange.

I would buy another Rega TT in an instant.

Ah! I was seriously interested in the Roksan Xerxes as my next deck back then. Life got in the way.

Unfortunately no. It was a while ago - early 1990s. But it was very DIY and easy to describe...

Two sheets of (I guess) 3/4" wood sandwiched the bicycle inner tube. This upper sheet was topped with 'hollow' concrete blocks. The ones I used were rectangular. Two side by side formed a square large enough for the Rega to sit on. I think three layers of these blocks put the TT high enough for normal use.

TBH the blocks were a bit heavy - the blocks had to be broken down to re-inflate the tube every two months or so. The result was certainly worth the inconvenience. It seemed to make the Rega 'quicker' as well (transient response), which I guess could make sense in terms of reduced mechanical feedback and cleaner upper bass/lower mids.

The speakers I had at the time were the first of B&W's revised 801, the  Matrix, with an active electronic filter that extended -3dB bass to 17.5 Hz. So I needed to come up with something

I wondered whether substituting some kind of rubber ball - three probably - would have been a more lasting substitute than the tube, but never tried this.

I recently saw almost exactly the same idea (link below), and learned I'd only achieved half the solution!

http://barrydiamentaudio.com/vibration.htm

Cool. Nice work. I used something similar years ago. A good start. . . . The world of vibration control fascinates me.

I like to spend money, and have it to spend, so I put a PS Audio PerfectWave PowerBase under my Torii Mk III (newly returned from the mother ship with Jupiter caps installed). Really game-changed the sound for me, surprised me, works better under the Torii than under the Power Plant Premier and DAC II and Transport (and works great under those components).

Beowulf, Walnut and black. The still look great and sound even better. Bob should be sitting on a high mountaintop being worshiped as the master that he is!  
Like I said my setup doesn't look much like the pictures anymore. I will have to breakdown and buy a camera or a phone with a camera or something like that.