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01/09/26 at 14:02:00 



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Amplifier topologies - asking AI to help me out (Read 50 times)
willbur6
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Amplifier topologies - asking AI to help me out
01/07/26 at 14:49:42
 
Just got my Torii V and made me realize I didn't have a great handle on the distinction between push-pull and class A/B. I asked AI to help me out with understanding this. How do you think it did?

Q: can you explain the distinction between amplifiers using class a vs class a/b and amplifiers using single-ended vs push-pull topologies in a way that is simple to understand that uses analogies to more mechanical situations?

A: To understand the difference between amplifier classes and topologies, it is helpful to think of the audio signal as a heavy wheel that needs to be spun in two directions (forward and backward) to create sound.

1. Class A vs. Class AB (Bias/Efficiency)
This distinction is about how hard the engine is running at all times.
Class A (The Racing Engine): Imagine a car engine that stays at 8,000 RPM even when the car is stopped at a red light. It is always ready to deliver full power instantly.
Mechanical Analogy: Because the engine never "rests," it is incredibly smooth and responsive (low distortion), but it gets extremely hot and wastes a massive amount of fuel (energy) even when you aren't moving.
Class AB (The Modern Daily Driver): This engine idles quietly at a stoplight. It stays "warm" so it can move quickly, but it doesn't work at full tilt until you step on the gas.
Mechanical Analogy: It is much more efficient and runs cooler. However, there is a tiny, almost imperceptible "stutter" as the engine transitions from idling to accelerating (known as crossover distortion).

2. Single-Ended vs. Push-Pull (Topology/Layout)
This distinction is about how many "workers" are moving the wheel.
Single-Ended (The One-Armed Cyclist): One single transistor or tube is responsible for the entire wave. Imagine a cyclist using only one leg to pedal.
Mechanical Analogy: To get the pedal back up, the cyclist relies on the momentum of the bike or a heavy spring. This creates a very "organic" and fluid motion, but it is physically limited in how much power it can generate before the leg gets tired.
Push-Pull (The Two-Person Saw): Two transistors work as a team. One "pushes" the positive half of the sound wave, and the other "pulls" the negative half.
Mechanical Analogy: Think of two people on opposite ends of a crosscut saw. As one person pushes, the other pulls. This is incredibly powerful and efficient, allowing you to cut through much larger logs (drive bigger speakers), but the hand-off between the two people must be perfectly timed to avoid a "jerk" in the motion.

Summary of Combinations
Class A Single-Ended: A single worker constantly running at 100% effort. Purest sound, very low power, very high heat.
Class A Push-Pull: Two workers both running at 100% effort, handing off the task. More power than single-ended, but still very hot.
Class AB Push-Pull: Two workers who "rest" when the saw is moving away from them and "work" when it's their turn to pull. This is the most common design because it provides high power and efficiency with very high-quality sound.
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willbur6
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Posts: 7
Re: Amplifier topologies - asking AI to help me out
Reply #1 - 01/07/26 at 15:33:24
 
Also added this question on ultra-linear vs GNF when I read the ToriiV operates in Ultra-linear. I think it's pretty good!

Ultra-linear (UL) mode and Global Negative Feedback (GNF) both aim to reduce distortion and lower output impedance, but they differ fundamentally in where they are applied and how they affect the amplifier's signal path.

Key Differences

Feedback Scope:
Ultra-Linear: A form of local feedback. It only affects the output tube by feeding a portion of the signal from the primary winding of the transformer back to the tube's screen grid.
Global Negative Feedback: A loop feedback that encompasses the entire amplifier. It takes a signal from the final output (usually the speaker tap) and sends it back to an earlier input stage, such as the phase inverter.
Stability and Phase Shift:
Ultra-Linear: Inherently more stable because it only involves one stage. There is very little time delay between the input and feedback signals.
Global Negative Feedback: More prone to stability issues and phase shifts because the signal must travel through multiple stages and the output transformer before being fed back. If pushed too far, it can cause high-frequency oscillations or "smearing" of the audio image.

Tube Characteristic Modification:
Ultra-Linear: Physically changes the operating curves of the tube, making a pentode or tetrode behave more like a triode in terms of linearity and output impedance.
Global Negative Feedback: Does not change how an individual tube operates; instead, it uses the "error signal" from the output to correct the overall performance of the whole circuit.

Impact on Power and Gain:
Ultra-Linear: Provides nearly pentode-level power with triode-level linearity. It reduces the gain of the output stage but maintains high power output.
Global Negative Feedback: Significantly reduces the overall gain of the entire amplifier. While it can increase headroom by lowering the noise floor, it often requires a higher input signal to achieve full volume.
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