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Thanks. I found it digging around. I have always preferred NOS rectifiers, and have tried lots of the 5V tubes made.
But the ones I am using now are also out of spec for Decware, 4 volt/4 pin RGN1064, UU5, and MU14, the The RGN1064 pretty low power and sounding sort of like slightly mild Euro GZ32s, but to me more musical and sophisticated than nice GZ32s. Other than a pretty high reservoir cap rating of 60uF, ratings were a little suspect to me, including being rated for 4 volts, and maybe just good luck with the tubes I bought, but I have used them for years losing only one Tesla mesh plate RGN1064 from the 50s as I recall. The UU5 and MU14s are higher power and sound a little more like GZ34s to me, more dense and forceful, which can also be nice with the right company here, and though I use them less, no failures from them so far. All need adapters.
Here anyway, in the end, I always prefer the milder RGN1064/AZ1/AZ11, these three having the same spec but different adapters. Those I have in now are Telefunken mesh plate globes. I have come to realize that my moving gradually toward less powerful tubes than stock was in part my Torii voicing being a little strong for me, and as time passed, where now everything here, from power, to PCs, to ICs, through to speakers, is modified for musical resolution, speeds and transparency, more comes through with more ease, so less powerful tubes sound plenty powerful to me.
And BTW, I have had pairs of RGN1064 go longer than a year, maybe lucky, EDIT: and for years I was using 40uF power caps in the place of 47uF stock, but I agree with Steve's saying to not necessarily count on it, and have spares around... This is not a problem for me having accumulated a few storage boxes full of nice rectifiers. I have had affairs (explorations seeking the big beauty of each type) with many types for extended periods over the years...so have a lot of tubes, and as I said, this includes my having had good luck with Type 80 globes where many did not in their Decware.
On the other hand, I had a rough time with some Telefunken labelled GZ32s, I think likely early models, the main difference I could discern in construction being narrow cathode tubes compared to other Euro GZ32s I had used for years. The seller resent several pairs before we figured out they just could not stand up to my Torii or CSP3. GZ32s were my last rectifier affair before the Euro 4 pin/4 volt types, those GZ32s with wider cathode tubes and presumably having more tolerance electronically. Interestingly, it was the seller of the Telefunken GZ32s that did not work here who finally sent me my first Euro 4volt tubes to try, pairs of UU5, and MU14.
Some other failures over time did not seem type specific, but I have had troubles with modern, supposed to be more tolerant in our amps than the venerated old 274Bs, the Valve Art 274Bs that came with my amp, one failed during burnin not too long in. Then I tried a Preferred Shuguang 274B, looking like the same tube, but "preferred" sounding good conceptually, to hear it and finish burnin with, and one failed further in, but..... And as I have said, many here have had problems with Sophia Aqua 274Bs, also a modern 274B with uprated power handling specs compared to those like you are getting.
So my cautions are not about absolutist spec hounding, but about potentially losing out from pushing limits too far, especially with high-dollar tubes, and NOS clearly does not necessarily mean durable, specs, handling, etc playing into it. Also this discussion has interested me for trying to further understand how specs relate to all else relative to rectifiers, for which I feel a little further along, but still a bit baffled.
Related, the last modification I did a few years ago in my Torii MKIV was actually to reduce the base power supply cap value associated with the rectifier. With a lot of cap experiments over years, I got to thinking that, all else similar, with bigger film caps dimensionally, lower values may filter as well or better than higher value electrolytics... not sure if this is true, but changing from a bypassed 40uF Jenson electrolytic to a bypassed 15uF Clarity CSA film (that might be 4-5 times the physical volume of the Jenson electro), I could hear only sonic refinements. And I do feel relatively confident that it has to be safer on my rectifiers, making less tolerant tubes more usable for longer, so all good.
Anyway, wishing you good luck with your new rectifier and I look forward to impressions.
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