
And speaking of rooms, things are shaping up on the West end of the listening room... I have relocated the house speakers to a wider spread and driving them with the KT88 based Zen TORII Monos and the ZTPRE. You wouldn't believe how hard this slams and the clarity. Anyone thinking solid state can hit harder than tubes will be shocked. It is stunning to listen to when you give it a little gas.
So on this end of the room you will have your choice of the Zen Torii Monos fed by the ZTPRE or a top secret experimental 30 watt solid state amp that I did as an experiment to see what a solid state (mosfet) amplifier would sound like if it were built without circuit boards and without any global negative feedback.
The speaker choices will be the house speakers, the HR2's, the HDTv2, the DNA2's and probably others.
This is a spectacular spread. I had almost forgotten how good the TORII Monos sounded when you set them free with a ZTPRE. I had been running them for a long time with just the Cambridge Network Preamp Streamer. When I added the ZTPRE it was like hearing new amps and new speakers all at once. The hit is just sick.
As far as the Forbidden solid state amp, it's my hope that I'm not the only one whose mind is blown by what happens to the sound when you delete the circuit boards and point to point wire a simple mosfet package without any global feedback and put a bitch'ing linear power supply behind it. I have spend several evenings listening to this so far without any tubes in the signal path... I know a guy with a shit pile of little black boxes and tube preamps that would easily take this to another level but just as it is I find it compelling and so far haven't had the overwhelming urge to see how much better it could get by adding a tube stage because it would be like crossing the neutral zone when the possibility hits you that it may be more about the circuit boards and feedback killing the sound than it is the transistors. At least up until clipping and well-- let's just say make sure you don't clip it.
It is easy to compare the solid state against the tube amps because both are being driven by the same streamer at the same time. You just turn the volume down on the one you don't want to listen to. Should be fun.
The East end will be predominately open baffles, digital or vinyl or reel to reel tape, and all driven by the Sarah 300B amp. I could and would use the SE84UFO25 but sadly even on 100dB speakers 2 watts is not enough to cover the dynamic range on master tapes and I don't want to continuously switch amplifiers during the fest. The mind bender on this end of the room is really the new semi-omni open baffle speakers I'm introducing and the London Reference cartridge and tonearm. Vinyl has never sounded so good. It's just mesmerizing.
Soon I will tackle getting the live listening room cam to work and get it streaming again.