
As I spend more time with these improved Lii Audio Reference Silver 10 speakers on the long wall of my listening room I am experiencing some interesting things...
Probably the most notable is that they keep sounding better as the weeks tick by. No surprise there, but actually that is something I never get used to. It always seems amazing to me each time and probably always will.
Secondly, I am finding myself developing a trust that I haven't had before with a speaker with the possible exception of my corner horns. The trust is coming from I guess the simple fact that they keep making everything else sound less by comparison. The other night I even did a comparison with the corner horns, a 30+ year reference for me, and they sounded inferior. Didn't see that one coming.
The tonality of the midrange is just so juicy, and let's be honest, juicy is not the first thing that comes to mind when describing hyper sensitive full-range crossoverless drivers. The bass is the best I've ever heard from a moving coil speaker with the exception of the Imperial Horns. But that's not actually true, because the Imperials use a 15 inch driver that in most cases is not as fast as the 10 inch Lii Audio Silver Reference.
The efficiency of these is making it meaningless to go from the TORII JRv2, to an SE84UFO, to an SE34I.5 to a ZMA, etc., because you hear no difference. The dynamics are the same as is the weight as is the volume. Sure you could crank the larger amps up louder but you'll be well into the knee point of the listening room so the sound will only get worse.
When I listen to master tapes it is always on headphones, usually closed back at first and then a more relaxed pair of LCD2's. To get a similar reference from speakers in a listening room is exponentially more unlikely to happen for about a million reasons, but surface it to say you get your best of the best set up the best you can and go for it. I have been finding that these Lii Audio speakers are closer to the headphone reference than any other single driver speaker so far and the big reason is the extended response in both the treble and the bass and the fact that it is a single driver with no crossover like a headphone. These speakers are like headphones for your room.
The treble is wonderful. It's in ribbon tweeter category. Almost the best part maybe. The bass is lower than shit and can easily turn your room into a disco tech with only two watts if that's what's on the recording, or reproduce a cathedral pipe organ's giant pipes with absolutely convincing reality. Which means there is no music it can't faithfully and completely reproduce on both ends.
And perhaps that's the magic behind the midrange -- framing it at both ends like that just makes it into ear candy on a Decware amplifier. It's so good I had to get out the FRX2 drivers the other night in the ZOB open baffle cabinets, which certainly isn't a fair fight since the Zen Open Baffle rolls off an octave higher. But it was the midrange I had to hear so I set up an AB test between them and the FRX were faster sounding and the ZOB/FRX combo imaged better, it was very satisfying but without the bottom octave just wasn't a fair fight. Over time the ZOB started to sound thin compared to the lii. The midrange of the Lii sounded more organic.
It actually makes me want to hear the FRX2 in the Lii Audio Reference cabinet. Maybe some day.
These speakers are wrecking me. I am hearing sound that is better in the room than ever before with any speaker combination except perhaps the Imperial SO's paired with the ZOB/FRX2. And that is with non-anniversary gear. I haven't even heard these with the SE84UFO25 yet. Saving that one for one of those nights when I need a really good buzz.
Steve