Tripwr1964 wrote on 01/31/18 at 14:56:24:beowolf
this maybe my misunderstanding of mqa, but dont you need the gear that can play it? i've been reading the last few articles in stereophile and sounds like if you don't have the gear to handle the file you're not going to get 100% of the mqa file.
can your DAC/player/OS be some of the problem (regarding missing stuff)?
i don't know... i am trying to get my head wrapped around if i like this idea/format or not, and am definitely NOT an expert, just trying to learn.
@ Tripwr1964 - that's correct, you don't need any special equipment to play MQA files, it's just that you won't get the full benefit of it (the complete unfolding and all that jazz). My software JRiver doesn't support MQA as they think it will lead to DRM ~ nor do they want to get involved with the licensing (it's not surprising as they don't support or participate with anything

), nor do I have a DAC that supports it either. So my listening impressions are to be taken with a grain of salt, that said I'm not the only one who recognized the veil over Jim's voice during playback of Rider's On The Storm so there are some issues that are not resolved and it leads me to believe there may be too much smoothing going on or as mentioned the lossy compression is removing some of the music. I felt that track had a deadness to it.
If they could find a way to make it more organic, but still as resolving without the use of that tech that required someone to go out and buy all new hardware and software I would be all for it.
Lonely Raven wrote on 01/31/18 at 18:20:18:That's such a can-o-worms with the Doors track. Just daydreaming about it I see a few variables that can account for the differences.
In no particular order:
IMHO - PCM has a harder leading edge to is caused by that pre/post ringing we hear about. This could accentuate some sounds and/or textures and make some things pop out more than others. MQA, like DSD, doesn't have that and sounds "softer" or "smoother", which gives the same tracks a slightly different presentation.
MQA Unfolding - As mentioned, it could simply be a result of the unfolding. MQA has two folds - the first can be done in software, which gives you high-rez, but not the full resolution the file was encoded in. To get full unfolding, you need a DAC that supports MQA and everything in the chain needs to be sending those MQA encoded files to the DAC correctly.
MQA Mastering - One of the MQA benefits is we know the provenance of the files since it has to be "Mastered" by the record company after they jump through the hoops MQA requires to be licensed. I've read that when they master the MQA file they could choose different filters during the processing according to the sound they like/want. This is good because in theory, you know exactly what the file is your getting because it can only come from the record company. Whereas (and you may have read my diatribes in the past about this) with HDTracks and the like you have NO FRIGGEN IDEA where the file comes from or what the source is. HDTracks got called out because they were selling 192/24 files that when spectral analyzed were *exactly* like the CD with 18kHz cutoff and everything...simply upsampled and sold for a huge premium. When they were cornered on it, they simply shrugged and said "this is what we were given by the record company".
To summarize, it could be the file format, it could be the unfolding, or is could even be the "mastering" and/or source files used.
Speaking of which, one thing that concerns me about MQA, is how do I know the record company went back to the original master tapes (or files if done in the digital era) to process their MQA masters? For all I know, they are just taking existing digital files and running it through a process and sending it back out to us - same stuff, different format with a little bit of filtering baked in. (shrug)
@ LR, good post ... not having the proper equipment I'm not closing my mind to MQA just yet, but how will that effect the masses if they also begin to notice these things. I also agree about knowing if it truly came from a master recording or not ... how can we truly know?
I think I might just have to get that Teac NT-505 when it comes out, not specifically for MQA playback, but I do need a good second DAC for my system. I hope that Teac does NOT lock out all the other filter options though or I'm going to pass on it ~ as I don't want to be stuck with a DAC that only supports MQA if/when MQA tanks as I think it might.