JimmyJet
Verified Member

Posts: 39
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Well, what can I say... this was my first DecFest - caught a 6:00 a.m. flight to Chicago from D.C. Friday morning, drove 2.5 hours to E. Peoria, arrived at Steve's around 10:30, met wonderful people, listened all damn day until 2:00 a.m. (while sampling craft beers), slept in Steve's yard, got up at 7:00 and listened some more until I had to drive back to the airport around 8:30 a.m. -- whew! What a whirlwind of about 32 hours -- I'm still on stimulus overload!!! Too much to take in in too little time!
Before I give some impressions, let me start by thanking Devon and Steve for being such gracious hosts and providing a cozy environment and making me feel right at home (not to mention plenty of good food and drink).
Secondly, I would like to say I met a hell of a bunch of really nice guys:
Chris - I have to start with you - a big thank you goes out to you for spinning all my vinyl and swamping amps in and out for me to compare - I really appreciate your gracious willingness to help out in so many ways, including lots of good discussion.
To all the other guys, sorry I don't remember all your names, but the few that I do: Palomino, I enjoyed listening to music from your collection, great discussions, and listening to Holly Cole sing "I Don't Want To Grow Up" 7:30 Sat. morning with the Tori Jr was magical. Tim, the recording engineer, I enjoyed our discussions about the biz Marco, enjoyed listening to your hot-rodded Mk III and discussions about digital and you proved to me that digital can sound damn good! Mike, enjoyed our discussions about ALL your gear – wow, what do you “not” have… Randy, thanks for demoing your speakers, really nice presence for vocals Bill, enjoyed learning about your speaker cabinet building adventures and seeing your work – exquisite! And thanks to the guy who offered me his spare tent – I enjoyed our conversations To the other guy that brought vinyl, I enjoyed talking with you and seeing pics of your turntable rig.
My impressions: I came to DecFest to audition the ZMA, the Mk IV, and the Jr. Chris spun my vinyl and switched amongst all three amps playing the same set of songs so that I could compare. To my ears (and we all know listening/hearing is subjective, right guys?), the ZMA and Jr. sounded very clear and detailed, but there was just something missing as far as sound stage and warmth – then I heard the Mk IV, and bam! It was all there… it had plenty of detail but backed it with the girth and warmth that I thought was missing when I auditioned the ZMA and Jr. When Chris spun up my Decca first pressing of The Who’s Tommy on tracks The Amazing Journey and Sparks, with the Mk IV, I not only heard soundstage width, but depth… something I’ve never experienced before! Keith Moon’s drums were dead center stage, BUT… they were located about 20 feet back from where I was sitting – it sounded as if he was playing them right in front of the leopard carpet hanging on the back wall of Steve’s listening room! I was transfixed and astounded to say the very least.
That was it as far as I was concerned – the Mk IV was my Holy Grail and knew at that moment that would be the Zen amp I would be purchasing. Later that night I asked Steve why I didn’t hear the deep depth on the ZMA and Jr.? Steve explained that the ZMA and Jr. were designed for linearity and detail; the Mk IV was designed and tuned for depth and a really big sound stage. So, I had a logical explanation and that sealed the deal for me and told Steve I’d be putting in my order for a Mk IV. Case closed.
Early Saturday morning, Palomino was listening to the Rachel, and knowing that I had to leave in about 90 minutes to drive back to O’Hare to catch a flight, he very graciously asked me if there was an amp I wanted to listen to before leaving and I told him I’d like to try the Jr. one more time. I listened to his front end playing the Holly Cole track IDWTGU. Well, besides being able to hear her every breath in and around the mic, the very delicate and light buzzing and rattling of the upright bass which was being plucked very lightly, this amp, as opposed to the day before, had the warmth that I accused it of lacking… What the hell! Chris came in and joined our listening session and said, “That amp grew a pair of balls overnight!” We all agreed but couldn’t figure out why. Then Chris remembered that with all the back and forth comparisons on Friday, a couple of the amps were left on and the Jr. idled for about three hours, and since it was a new production unit, those three hours were apparently crucial to completing part of its break-in cycle. Damn! By then, I had to leave to catch a plane and didn’t have time to spin up my vinyl of The Who so I could use my reference tracks so it would be apples to apples.
So now, I’m in a quandary… and yes, I am losing sleep over it! My gut instinct is to go with the Mk IV because a holographic image is important to me even if it means giving up some detail, but I just can’t get the sound of that last listen to the Jr. out of my mind. Uhg!!! Lesson learned: fellow Zen’ers who have never gone to a DecFest but plan to: don’t try to do it in one day… Next year I plan on at least two days! As Chris would say, “The second day is usually when the “magic” happens!”
Anyway, I just want to close by saying even if I owned every piece of gear that Steve produces, I would still come to DecFest just because I have never met a bunch of nice and generous guys to hang out with, drink beer, listen with, and discuss audio engineering all damn day and night! Hope to talk to you guys online between now and next year’s DecFest! Cheers!
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