Fireblade
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Knowledge comes, but wisdom lingers. A.L.Tennyson
Posts: 1046
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I've been very happy with my preferred driver tube these days, Philips SQ 7062. These have the ideal combination of openness, warmth and intermediate gain which do not drive fast and sensitive output tubes (like the current production Tung-Sols), into sibilance on very high frequency passages. As opposed to 12AT7's, these drivers need an open, big sounding output tube to sound their best though.
So far my first choice combo for the M-T is the Phillips SQ 7062 paired with the excellent RCA 6V6 G ST (1940's production, big, coke shape).
The next preferred pairing is Brimar 12AT7 along with said G ST's.
On third place, the Brimars with the Russian Reflektor Plant black glass 6V6's. The usually dark but sweet sounding Russians need to be opened by a powerful, commanding driver, and the Brimars are just the ticket.
The Tung-Sol 6V6's are good tubes but can be ridden to far on high frequency passages by 12AT7's in the M-T. My Phillips SQ 7062's do not show special synergy with these (like with my G ST's), although the combination sounds fine nevertheless.
In all the above suggested combos, I use the RFT EZ80 rectifier rather than the stock JJ EZ81 (not only due to reliability issues).
Some time ago, I decided to skip any output tube outside the 6V6 family due to potentially excessive stress on the circuit and because IMO the original voicing enhances the 6V6. YMMV.
My next test will be a pair of 6414's paired with my tour de force RCA's G ST's. I've heard good things about these drivers and according to the literature, these are very similar to the 7062's.
In general, I prefer to go for drivers offering an intermediate gain between 12 AU7's and 12AT7's, as the former are somewhat dull-sounding in the M-T, whereas the latter tend to be edgy in the high frequency ranges.
The 6V6 G ST's sound big, with wider soundstage, PRAT and transparency, and as has been mentioned here, its bass is better than the rest of my other combos with the ubiquitous OA3's in place. My OD3's, on the other hand, flatten that sound, killing some of the presentation depth.
Yet, the biggest sound improvement from my system came from the installation of 7 DIY absorption pannels, critically placed in the room. There's no question reflections kill the soundstage and naturalness of the sound, and increases listening fatigue. Today, at close to near field, my system behaves neatly and timbres and imaging are again in focus, while bass lines are deeper and well defined (as opposed to boomy).
My system uses an active subwoofer with a crossover at 65Hz and thanks to the absorption pannels now the bass really enhances the nice low-mids, mids and highs of the DM945's when placed on monitor stands and away from walls.
Interested in anyone's experiences with 6414's and the corresponding best output tube pairing.
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