||Each Mystery Amp is hand built right here in the USA by Decware and has been hand
voiced and matched down to the finest details.
The fidelity of these amplifiers catch most audiophiles off guard...
Then their faces start to hurt from smiling so big!
The Mystery Amp easily sets a benchmark for liquidity...
which is quite a feat considering it's unheard of level of detail.
With a power supply design like no other, a biasing system that leaves
other amps behind and a circuit design that has evolved over 15 years of
production, it's only limitation is the
source. In fact I didn't realize how good this amp actually was
until we heard it on 24/384 hi-res material. It also widened the
gap between my various phono cartridges. My favorite, the Fidelity
Research with the Van Den Hul tip never sounded better. I consider this
amp our greatest achievement to date. Yes, we achieved this in our
signature mono's but to do it with equal finesse for half that price...
we'll it makes my face hurt too, from smiling so big.
The Zen Mystery Amp is for People who want MORE than to just hear the music...
they want to float in it!
Steve Deckert - owner DECWARE High
These amps can run speakers between 4 and 16 ohms.
- 40 watt class-A mono-blocks.
- Transformer Balanced XLR Inputs - optional.
- Single-ended RCA input.
- Input level control.
- Ultra cool bias adjustment - no tools required and can be done on-the-fly.
- Large Bias Meters - let you maintain PERFECT tube matching without effort.
- Exotic parts - cost no object design.
- KT66 Ultra-linear output stage.
||One of the things that makes the Zen Mystery Amp unique is it's insane power supplies.
A typical tube amplifier this size uses power supply capacitors totaling about 80 micro-farad.
The Mystery Amp has 4500
micro-farads. Yes, that's about 50 times more than normal but we did
mention that this was a cost no object design and the massive capacitors
come with some huge sonic benefits. Each amplifier's power supply
has enough stored energy to start your car and melt all four tires to
the garage floor!
In fact, these capacitors are so large that the amplifier sounds as if it's being run on batteries.
You can select from the Black Figured Base
(shown at the top of this web page) OR the Contemporary Style Walnut Base
(shown above). Different woods can be selected from within the shopping
cart. The Black Figured base is only available in Black.
Black, Cream, Walnut. You can configure your amp with the knobs
you want from within the shopping
The Mystery Amp comes standard with a single pair of single-ended
RCA inputs. You may optionally have your amplifier configured with an
additional pair of fully transformer balanced XLR inputs from within the shopping cart.
carefully hand select and match the tubes for these amplifiers. The
amplifiers are tested and burned-in with the tubes you get.
These include four Russian Military Grade 10,000 hour 6N23P-EV's with gold grids, four KT66's and two OA3's per amplifier. (Note the amplifier is also compatible with 6N1P / 6922 / 6DJ8 as well as KT77, EL34, 7027, 5881)
- The Mystery Amp has 4
independent bias supplies and 4 precision current meters, one for each
output tube so that adjusting one has zero effect on the others!
- It gives you a real time view of how each tube is doing and how well they match each other.
- A simple balance control between each pair of meters lets you match the tubes at any time while the amplifier is on.
- The meters also show you if a tube goes bad and which one - at any power level.
- A great power indicator, the meters dance when the amp reaches maximum output.
- True Analog movements in each meter make it
possible to predict tube performance by simply watching the meters
behavior during warm up.
The Mystery Amp came directly from our signature Zen TORII mono-blocks.
We wanted something with similar performance, but in a single chassis
and at a reduced cost. By building two mono amps in a single chassis,
eliminating the fancy transformer covers, reducing the power a bit,
using smaller meters and finally by making balanced XLR inputs optional ~
it was possible to maintain the same cost no object design and internal
parts used in our $12000 mono-blocks.
The Mono-blocks are unique in that they have a massive power supply with
caps so large it is possible to eliminate the choke and any dropping
resistors feeding the output stage. Unless you see an amp with similar
size caps, you can be certain that it has at least one if not both of these current limiting
necessities. This is why the Mono's sound better than almost
everything. Well, on that note, the Mystery Amp explores this zen
approach a little further by doubling the capacitor size and eliminating
the dropping resistor that feeds the input stage. Instead a vacuum
regulator tube was used to drop the voltage with no heat and 20 times
the ripple rejection of the resistor it replaces. This was a personal
goal of mine because it makes this the first tube amp power supply in
the world that doesn't use a choke or any current robbing
resistors to supply both the input and output stages of the amp.
Consequently there is no heat or parts to fail. The real impressive
part however is the liquidity and speed that results from eliminating
This is about as close to pure DC power as you'll ever get in a 500 volt
amplifier. As a result, the Mystery Amp will have about 50 times
the immunity to dirty power from your wall outlet.
The other nice thing about this amplifier is how it handles the output
tube bias adjustments. We've all seen tube amps that have blown up
due to "bias runaway" when the plate inside the tube gets red hot and
causes the tube and sometimes the amp to fail. This happens
because many amplifiers share a bias supply between more than one
tube. Setting the bias wrong, or using mismatched tubes can
trigger this event. It's a big reason people who like cathode
biased amps, like cathode biased amps better than fixed bias amps.
Anyway, an adjustable fixed bias amp can actually be as reliable and
sound as good or better by simply doing it right. In the Mystery
Amp, I created independent bias supplies for each output tube so that
when you adjust one tube, it does not effect the other tubes. That
way you only ever have to adjust it once, instead of ten times until
you happen to hit it just right. Also a lot of time was spent
defining windows of adjustment that worked with all the recommended
output tubes without allowing the user to get into too much trouble
should he/she miss adjust it. In fact, most of the time it will
impossible to get into trouble ensuring long happy tube life. The
biggest thing is output tube matching in push pull amplifiers for linear
output and max power, so to that effect rather than have a bias
adjustment for each tube, we have one for the pair and one as a balance
control located between the meters so that the user can perfectly match
the meters at any time in less than a second. Each channel is set up
this way. You'll find this handy since tubes drift with temperature and
we don't really know of any other amps than can be adjusted on the fly
as you listen without tools or with this level of speed and
precision. It takes all of the pain in the ass out of owning a
fixed bias amplifier. Of course the meters make great tube testers
and clipping indicators allowing you to see if any one tube is
prematurely clipping relative to the others despite being perfectly
matched at idle.
The voicing on this amplifier is more particular than anything I've
done, short of the TORII Mono's. I say that because I have a very
strong preference for the 6N23P input stage as that is the only tube I
like in this amp. Cryo-treated with silver leads, and flat stacked
beeswax film caps are used for all internal coupling, and 2 watt carbon
composition resistors throughout the signal path. Factory Tube
compliment is the Tungsol KT66, and OA3 and for the driver stage a pair
of Russian 6N23P-EV.
Another delightful thing about this amplifier is that is has zero
negative feedback so the imaging and sound stage depth are un-restricted
and capable of rending whatever is on the recording.
In the end, it is every bit the fidelity and performance of the Zen
TORII Mono's with a bit sweeter top end. On most speakers greater
than 86dB there was no noticeable difference in power between the
Mystery Amp and the Mono's.
The OA3 feeding the input stage combined with double the capacitance of
the Mono's gives the Mystery Amp unparalleled accuracy and liquidity.
NOTE: There is also a forum thread on the Mystery Amp that I started early in the design process.
120/240 volt 50/60Hz
INPUT TUBE CHOICES:
6N23P, 6922, 6N1P
OUTPUT TUBE CHOICES:
EL34 6CA7 KT77 KT66 7027 5881
INPUTS: OPTIONAL TRANSFORMER BALANCED XLR INPUTS
INPUTS: SINGLE-ENDED RCA INPUT
OUTPUTS: 4, 8, or 16 OHM SPEAKERS
IDLE CURRENT: 40~60
MILS PER OUTPUT TUBE - ADJUSTABLE
HIGH B+ VOLTAGE: 410 VDC WITH LOAD
INPUT IMPEDANCE: 100 K OHMS
FULL POWER @ 2.0 VOLTS ON RCA INPUT
POWER INTO 4 , 8 or 16
OHMS: 38 WATTS PER CHANNEL
PRECISION CURRENT METERS 0 to 100 MA
WINDOWED BIAS CONTROL to ADJ OUTPUT TUBES
DYNAMIC BIAS BALANCE CONTROL FOR PERFECT MATCHING of EVEN UNMATCHED TUBES
600V CRYO TREATED FLAT STACKED COPPER FOIL BEES WAX - SIGNAL CAPACITORS
20 POS STEPPED ATTENUATOR w/ GOLD CONTACTS for INPUT LEVEL (GAIN) CONTROL
4400 UF 500V LABORATORY GRADE POWER SUPPLY CAPS
TOP GRADE GOLD TEFLON INPUT JACKS
RECTIFICATION: ULTRA FAST RECOVERY 3 AMP 1000V
MACHINED STEEL CHASSIS with POWDER COAT LIFETIME FINISHES
TOP GRADE FUSED IEC CONNECTOR for REMOVABLE POWER CORD
SOFT START- NO STANDBY NEEDED
PREMIUM GRADE KT66 OUTPUT TUBES
PREMIUM GRADE 6N23P INPUT TUBES
OA3 REGULATOR TUBES
" DEEP x 13-3/4 " WIDE x 8-3/4 " HIGH
NET WEIGHT: 43
LIFETIME TO ORIGINAL OWNER / 90 DAYS ON TUBES
ZEN MYSTERY AMP