Jeff of Arabica
Seasoned Member
  

Name the greatest of all inventors... Accident.
Posts: 968
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I am using my ZSTAGE in a similar fashion. I have a TEAC X-2000M R2R that I wired the playback head (2-Track) directly to a set of RCA jacks to bypass the SS electronics. From those jacks it will run to my ZP3, then to my ZSTAGE and finally onto my ZMA.
While I enjoyed my Teac directly into my Torii Jr., I knew I could achieve a higher SQ if I wired it for direct output to RCA's. So, I purchased a ZP3. However, when installed, the sound was accurate, but rather anemic. I decided to purchase the ZSTAGE to address this issue. I had to send my ZP3 back for repair (yesterday), but when it returns, I will connect it up with the ZP3, ZSTAGE and ZMA (which will take the place of the Torii Jr.). I will report back with my results.
I have an Ultra pre-amp and while I could have routed the TEAC to my Ultra then to my amp for additional gain, I decided to keep this setup completely independent and separate. Don't ask me why. Well, you can ask, and my unscientific explanation will be this: For some reason I felt the urge to simply increase the gain without adding any other pre-amp "flavor" to my tape sound. There you go.
Steve can chime in and provide some input as to why my decision was brilliant or asinine.
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