Sounds great! I have some of the same cables and they will get better and better. I think those were the longest burnin cable I have tried, especially the SP6...even after having the factory burnin. Great now will get better!

Will, I paid for the 10 day break in and was told they should be fully broke in when I get them but hey, if there's still more to come, that's a bonus!
Oh and Lance, I did get a couple Graphene Extreme power cables from Cerious Technologies. The second one I bought is just hanging here waiting for the ZP3 when it arrives.
Rick

10 days burnin sounds good. And maybe their method has gotten better. I was looking back at my notes on the SP4s I had first. I was struggling after they finally opened up... they just couldn't pull all I wanted down lower, and also lacked a little dynamic flow I was used to. Talking with the folks at Morrow, they thought that might get better once fully burned in. I had had the 5 day factory burnin, and it ended up taking a total close to 600 hours before I could not hear any more refinements. Finally the mid-bass/bass and dynamics limitations still made them too lean for my tastes.

The Morrow folks had recommended them for my system after I had expressed concerns over the SP4 being small compared to those I had previously used. And I was communicating with them on this issue and the long burnin. Unfortunately I messed up the timing and was not able to make the determination that they would not get where I needed until several days after the trial period ended. Then there was a weekend! So I was almost a week late when we finally talked.

He would not take them back, but did offer upgrading without more expense to some SP6 that had just been used in a show. I was surprised he would not take them back under the circumstances, but I liked the SP4 for the most part, and thought the SP6 should solve my issues, so was OK with this.

Knowing the slow burnin of the SP4, I just stuck them in my other system for 15 days. On top of the 250 or so they came with (including 5 days on their machine), that did it pretty well.

They did solve the problems I had with SP4, and I enjoyed them for a long time, better with my MKIV and HR-1s than any others I had tried to that point.

It has been a long time since I used them, but I recall the Morrows taught me how important solving smearing can be, and associated, I really like how defined and revealing they were without being too-too edgy, at least for me.

Yes, I know the thing of there always being something that can help! It is amazing to me that no matter how good it gets, it can keep getting better!

Glancing through used gear, I found a good price on some Synergistic Research Element Copper with a trial period. I found them really compelling, they are so open and revealing, and you can adjust them with these little "bullets," shifting the tone and clarity to suit the room/system. They took "lucidity" to new levels here and I kept them.

Then I was messing around with some NOS Western Electric wire and liked aspects of it, especially after putting a few together to create more weight and bass depth, but they did not pull enough of the open transparency I had become accustomed to. So I started playing with WE wire combined with silver on copper I had around (like Morrow and others use) trying to pull out more micro detail and extension. It did that but it was a little hard sounding with the WE. I started to think of pure and soft silver, warmer and more musical, but still very revealing and ordered some.

Finally, I took a cue from Synergistic Research, where they use multiple wire types and sizes in "air dielectric," and after a lot of experiments, got some multi-wire cables I really love. I have the materials for phase two of the experiment, but am happy enough with these not to be in a hurry.

That said, the Morrow SP6 were nice cables here

2K for cables?  Holy moly!!!

Spend and enjoy. you can't take with you.

ILance, I'm taking it with me in one way or another.