Fireblade. I agree with Lon and Pale Ryder that cables, power cleaning, and vibration isolation are all intelligent steps, each having "significant" positive results once you get into the finer details of the last 5-10 percent. And Pale Ryder makes an excellent point about the actual effects of good power improving every bit of the electronic path.
But relative to the origins of this thread. The Isocups...feet also effect every electronic part of your gear. Every foot I have used has a different sound, and depending on the piece of gear, the differences are greater or less, but always discernible. I played for hours over several days refining the feet, and foot placement even under my Mac Mini. Subtle, but not subtle if you know what I mean. Here I am not talking about 5%, but the difference between very real and very, very real. Definitely worth the effort to optimally isolate the Mini.
HerbiesAudioLab feet are really good, as are his tube dampers, indicating that he is a serious developer with good ears. Though I got tenderfeet for my lighter gear (and like them for my ZDAC and Zstage), I tried them under the Torii, and did not like the sound, or under the Tranquility. Too soft. But they were the soft tenderfeet, and as Lon suggested, the more dense ones might work very well. The isocups on the other hand, once I found the right arrangement and adapted to the way they reduced vibration and effected the sound, I like them a lot under the Torii. Detailed, extended, smooth and neutral.
The Torii is heavier than the MiniTorii, but I suspect you could get similar results as the rest of us with Herbie's highend bases, frosted isocups and lampblack balls under your MT. It seems three would be plenty for it. I could tell the difference between three and four on the Torii, enough to be glad I got the fourth, but three was really good, and the Torii is heavy.
Since Steve @ Herbie's is the expert, it may be worth an email conversation with him about the sound characteristics of his newer, and slightly less expensive Isocups and Hardballs. Here is a quote from a post of his on AudioCircle " Frosted Clear Iso-Cup has been replaced in our product lineup with a newly-formulated black Iso-Cup and SuperSonic Hardball. The new Iso-Cup achieves a sonic result equal to or better than the Clear Iso-Cup w/Lampblack Ball + Hi-End Base, without needing the Hi-End Base."
Not having tried these, I can't comment, and as we have seen, there is the gear synergy thing, but the ones I have are really good. Isocups under the MT, and some tenderfeet under your DAC might be a really good, cost effective next step.
As to power, I have a Pi Audio UberBuss with a Brickwall in front, with a bunch of Alan Maher boxes spread around, and a couple Kemp boxes. This all came in a long progression. Not having tried the PS stuff, I can't compare, but my sound is off the charts all day, unaffected by power line variations. It actually was quite good before the Uber, but the Uber sealed the deal! Interestingly, the UberBuss rendered the Kemp and Maher electronic RFI/EMI cleaning boxes notably less important, but I kept them in in different, more subtle positions, now around the room, instead of in with the gear.
Pi now makes a little surge suppressor Buss (two years development, an effort to add surge suppression without negative sonic impact..the Uber has no surge suppression) that looks interesting, and is supposed to improve sound some too. In a little search I found the following posts indicating (if the time comes for you) that there may be good ways to go rather than the costly, though effective PS power regenerators.
http://www.audionervosa.com/index.php?topic=2124.0http://forum.audiogon.com/cgi-bin/fr.pl?raccs&1249671575http://www.audiocircle.com/index.php?board=176Perhaps some fun territory to explore.