will
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I have a followup to my last post...
I do not consider my Decware Styx "slightly veiled," "slightly slower" or slightly lacking in revelation, transparency etc.... except within the context of careful A/B'ing with the extremely complete, flow-through sound of the Realities. Finally this was yet another lesson for me in the subtleties of what makes the music sound real. Broadly, it might be called exploration in musicality. For me, the Reality speaker cables had a whole lot of what I might describe as necessary for musicality....... complete definition...near perfect sounding flow amp-to-speaker (at least in terms of everything being there with no discernible distortions, not bright, not warm, amazing dynamics, balanced, extended. etc....). This very carefully tweaked out cable design was very seductive to me, corroborating the years of development derived from a broad base of good systems and listener's impressions, and loads of experimentation.
But it comes back to defining musicality. As I continue to be seduced by the exploration, the specific, subtle qualities of the presentation becomes more and more critical, the less apparent stuff being extremely interesting....the stuff that makes up the many, many, many layers of the sound. Harmonics, micro dynamics and micro details, and even "distortions."...critical aspects of timbre, attack, ambience, textures, and everything else that gives character to the instruments/instruments and how they manifest together to make up the sound stage, transforming my room to the venue the players are recording in.
This really brings up the questions of bridging "best" technology, with "best" sound... careful blind testing, especially where the testers tastes are sympathetic to our own... so much so as to be extremely compelling....but then......mmmmmmm....not quite there...not quite complete...We seek perfection with incomplete discernment both technological and in listening....bringing in personal taste. It is finally our own personal discernment that leads to our own personal musical presentation. Steve says Decware Styx outperform most others no matter the cost, and the Reality folks say likewise....
I really like them both, but in this case, perhaps the Reality speaker cables were a little "too smart" for me, and the Decware..in comparison mode...perhaps just a little touch too "analog" ???(whatever that means). I think in between would have really gotten my attention!@#$%^&*.
But what is cool, is that the quest allows the missing aspects to become more perceptible, though perhaps less describable. Like a little nagging thing that I can't quite get. To me, this points to how extremely complex the interaction between musical presentation and the body/mind is. And this is why working with gear that is so well made toward the end of sense of "the musicians in the room", can be soooo fun.
We take all the work of those whose gear we agree with, and then assemble it to our tastes in our own rooms. We dig in, and the creative process gets going as we explore taking all this good stuff from the life's work of others, and make it sing for us. The realms of synergies...a vast arena. The deeper I dig, and the more I realize how real "musicians in the room" can sound/feel, the more subtleties show up. At each new step, I am a little better able to discern the very complex and subtle qualities sound waves, sound wave interactions, how gear/cable/room adjustments effect this, and how the whole effects my experience of the music . Vast exploration indeed, and by appearances for me... endless... Thus the fun of the game. Not and unfamiliar experience for any of you who got this far in this post, but it does constantly surprise me how it goes and goes and goes.
Anyway, in this case, for me, the Styx made my system better. Could just be me, and it could be how my system/room has developed, but the Styx are really good for me.
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