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I have about 80 hours on mine, most with the National 7DJ8s, and maybe 1/3 of that was the Esoteric break in CD.
Lately I had been listening to the very linear, open and extended cryo'd Ruby fat bottle EL34s (Shuguang), and with them I was liking some relatively warm Mullard 6922 pulls from Partsconnexion.
With the Mullards, when I just stuck in the JJs, the open and textural warmth the Rubys allowed them to reveal turned to a thickish, veiled quality. Some macro detail remained, but micro detail got pretty much squashed and the low mids down became a thuddy.
I stuck in some new Ei/Philips 7DJ8s, changed from straight OA3s to straight OC3s, chilled down the gain on the Zstage a little, and beauty filled the room. Wetter, texture, body and warmth without veils, extension and what I think of as the really cool thing about this tube....that big tube sound...something about the dynamic tightness of the hits, be they cymbals, drums or a string bass, and then the easy transition from body to natural ambient information. It sounds really good!
So I think I will have no problem completing the break in on these tubes now. Trouble so far in my evaluation of the tube, they are very finicky as to who they play well with. But I think they are extremely promising.
Gopher, I think you should get good sound from them with your National 7DJ8s, it just may take longer than you or I like to get there. I wonder too. Does the breakin CD work on tubes at low volumes like it would on high volumes?
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Mac mini, Tranquility DAC, Oppo 83 (modded), ZSTAGE, TORII MkIII, Zen styx, Ziegler HR-ONEs...VHaudio, Reality, MAC ICs.... PI Audio Uberbuss....PI, VHaudio, Cryoparts power cables, HerbiesAudioLab feet and tube dampers.
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