will
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Hey all. I'm new here, and have been waiting for the speakers to break in to comment.
I got some MG944's about a month ago, the black pair that Steve had up for a customer who didn't take delivery. I bought them having loved the sound of the SE34I2+ and then having my enchantment with the Decware sound reenforced by Decware interconnects. So, I agreed so thoroughly with Steve's idea of good sound, and his success at arriving at it, that I figured the speakers had to be good! Really good. Especially remembering that far away look I heard in his voice when I asked him how he liked the MG944's.
I loved them from the 3rd day (the first couple they were a little hard and lean sounding though I could tell they would get good) but now that they are sort of broken in (maybe 150-175 hours) they are really starting to be super sweet. Everything is mellowing with no loss of detail. The bass is tight, deep and accurate, the mids detailed and real, and the highs - out the top, but all continue to become even more musical, more integrated. The sound stage is wide and deep with virtually no sense of speakers. Before I heard accurate and beautifully detailed, now I am hearing Sweet! These speakers are really good.
My only challenge has been that in my live room, the top could be a little edgy on some recordings. But then I am using a SE34 with 6N2P's, and Decware interconnects, which are very open and articulate. Also I have all power cords made from VHAudio kit stuff, silver goop on all connections, several of Alan Maher's harmonic infinity thingies in the audio chain, and I clean and treat all my CD's with Ultrabit Platnum and sand and blacken the edges.....so the system is very clean, deep, articulate and revealing. Put then, my room, with brick floors, plaster walls and a lot of glass ...if there is edge to hear, you will hear it.
I have strategically placed room treatments, but the room began surprisingly good in that it is Adobe and there are many wall shifts with lots of nooks, walkthroughs and alcoves...not much regular and square about it, and the ceiling is rough wood on round log beams...so many potential sound anomalies are tempered by the irregular patterns that the waves have to deal with. In the end, the sound is beautifully alive without much room rubbish.
But the edginess.....all of the drivers are softening with play, and the ribbons are getting sweet, but at this point, I like them better with the grills I made on. They take a little edge off. I am also playing with very light duty resonance damping to good effect using one white 2mm marigo dot near the outside edge of each ribbon housing. This could go away later as the speakers continue to break in, but for now, they cut whatever top edge remains, while simultaneously causing the mids to come forward ever-so-slightly. Very nice!
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Mac mini, Tranquility DAC, Oppo 83 (modded), ZSTAGE, TORII MkIII, Zen styx, Ziegler HR-ONEs...VHaudio, Reality, MAC ICs.... PI Audio Uberbuss....PI, VHaudio, Cryoparts power cables, HerbiesAudioLab feet and tube dampers.
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