will
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FB,
Sounds pretty good on the cable from your research.
I agree with Lon on the isolation.
There are likely ways to do what you want with any of the tube types, that is unless one of them is already on the open, less dark/dense side of things. For a more open, transparent sound, and tighter/less bass, I would try a pair of OB3s, or for more of the same, some OC3s, and more yet, OD3. OA3s give a stronger, bigger, deeper, darker, bassier quality to the by pushing the output tubes more, and OD3 give the most open/spacious, least bass/density, with Bs and Cs in between. Also, each type and vintage have tonal qualities that vary...for example, Sylvania sound different than Raytheon.....This can confuse the waters...like an 80s Sylvania OA3 (tubeworld) that opens the sound with tight bass more than any other OA3 I have, but it still has the OA3 "push." Anyway regulators could be an inexpensive experiment that might accomplish all of your wishes...If the room or amp give darker/denser qualities to the sound, this can overwhelm the inner detail and spaciousness. So relaxing darkness and density will increase spaciousness and inner detail, helping to further define soundstage.
I think of warmth as a slight darkness (usually showing most in the mids and lower mids) that does not have a sense of "veiled," not sacrificing detail, while contributing to that lovely balance of detail that gives a sense of warm texture ...like a warm, soft, cozy, blanket...it can sweeten the feeling of the music without adding a sense of density or darkness. It can be a fine line between "warmth" and "dark," to me the distinction being the detail balance within the dark. Transparent would convey the same information, but with a cooler, more neutral quality...not bright, not dark...
I think of texture as all the subtle pieces of detailed information overlaid to make the sound as opposed to the sense of a sound having very defined body and edges.....a place to look for textural sounds might be hearing the bow string/resin with strings, then vibrating the woods of the string instrument, particularly noticeable with solo playing...or you can hear it in the reed sounds of a sax...or solo voices... it imparts a sweet, nuanced richness.
Hope this helps...the semantics are odd in describing sound nuance.
Check your PM
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« Last Edit: 10/26/12 at 16:39:11 by will »
Mac mini, Tranquility DAC, Oppo 83 (modded), ZSTAGE, TORII MkIII, Zen styx, Ziegler HR-ONEs...VHaudio, Reality, MAC ICs.... PI Audio Uberbuss....PI, VHaudio, Cryoparts power cables, HerbiesAudioLab feet and tube dampers.
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